Art
Campers, Sunsets, and Junkyards: Sarah Braman’s Containers of Light
I'd call Sarah Braman's show at Mitchell-Innes & Nash a breakthrough were it not for her slow and steady ascent.
Art
I'd call Sarah Braman's show at Mitchell-Innes & Nash a breakthrough were it not for her slow and steady ascent.
Art
The stated goal of New York City-born, Portland, Maine-based painter Elise Ansel is “re-creating, re-visioning, and re-presenting” paintings from the past.
Art
Chase, who is black and queer, shows the power of his subjects by exposing just how vulnerable they are.
Art
The unclassifiable drawings of Judith Braun are now on view in two concurrent, very different solo exhibitions.
Art
Hyperallergic’s horoscopes offer astrological advice for artists and art types, in art terms, every month.
Art
In an alley between Greene Naftali gallery and a walled parking lot under the High Line, sit two Haegue Yang installations.
Art
For all his money and power, Donald Trump couldn't force a widow from her New Jersey home back in the 1990s.
Art
The sabra, a fruit-bearing cactus, holds particular symbolism in both Israel and Palestine, where it grows wild across the region: it survives in all weather conditions, rugged on the outside but soft and sweet on the inside.
Art
The fact that he slept for seven years with the corpse of a woman he loved is, for filmmaker Ronni Thomas, one of the least interesting things about Count von Cosel.
Art
French criminologist Alphonse Bertillon believed each person's physical measurements were as distinct as their fingerprints, and devised the first modern mug shots as part of his classification system in the 19th century.
Art
A cat that fell into a goldfish bowl in 1747 and subsequently drowned from her pyrrhic hunt inspired an unlikely series of artworks in the 18th century.
Art
LONDON — In 2015 the Royal Academy of Arts faced a critical backlash against its last major painting blockbuster, Rubens and His Legacy, which featured very little Rubens and an awful lot of tenuous filler. Thank goodness, then, that the museum is back on track with its new survey, Painting the Mode