Art
Just a decade ago, marijuana in the popular imagination was largely associated with cheesy stoner iconography — pot leaf decals, tie-dye and paisley patterns — and its packaging was limited to discreet plastic baggies.
Art
Gargoyle faces and witch-like masks adorn the walls of Yoon Ji Seon’s first US solo exhibition, Rag Face, at the Yossi Milo Gallery, New York.
Art
This week, go see solo shows by Sheila Hicks and Regina Bogat before they close, listen to firsthand news reports from the Vietnam War in four languages ... or watch The Shining on repeat on Thanksgiving. Whatever gets you through the holidays.
Art
Contact prints by legendary Magnum photographers, including Martin Parr, Eve Arnold, David Hurn, Elliot Erwitt, Bruno Barbey, Burt Glinn, Guy Le Querrec, Herbert List, Thomas Hoepker, David Seymour, and more, are available starting today.
Art
BRIGHTON, UK — To call his work colorful, flamboyant, or camp would be to give the wrong impression of John Walter.
Art
BEIJING — Between two Beijing galleries, Ai Weiwei has divided a 400-year-old temple’s 1,500 worn, wooden pieces.
Art
On the recent Friday the 13th, Jack Smith’s disembodied voice rattled through Anthology Film Archives.
Art
Half a century ago, many Native American artists trying to break into the fine art market were told that their oil paintings would never sell because they were not recognizably "Indian" enough.
Art
Martin Wong’s retrospective Human Instamatic, currently on at the Bronx Museum of the Arts, begins in quaint Humboldt County, California.
Art
Peter Saul has an uncanny ability to seamlessly combine the hilarious and the hideous to great effect. In the middle of chortling at one of his wacky, indecorous paintings, you are apt to suddenly notice an odd and even disturbing detail.
Art
Opening in the shadow of the Paris attacks, the exhibition Collected by Thea Westreich Wagner and Ethan Wagner represents — as Adam Weinberg, the director of the Whitney Museum of American Art, said in his remarks at the press preview — “a celebration of what matters in life.”
Art
A different kind of paean to the carnivalesque transpires in New York City, outside RoseLee Goldberg’s curatorial reach.