Art
Squeak Carnwath’s Guilt-Free Zone Is Our Space
Squeak Carnwath’s exhibition, What Before Comes After, at Jane Lombard is the artist’s first with the eponymous gallery (formerly Lombard Fried) and her first in New York since 2000.
Art
Squeak Carnwath’s exhibition, What Before Comes After, at Jane Lombard is the artist’s first with the eponymous gallery (formerly Lombard Fried) and her first in New York since 2000.
Art
When Joan Brown began attending the California School of Fine Arts in 1955, she was immediately dissatisfied with her classes and the structure of art education in general.
Art
Frank Stella: A Retrospective, which opened yesterday at the Whitney Museum of American Art, is a brilliantly curated, blatantly overhung masterstroke of an exhibition that turns the artist’s weaknesses into strengths and his strengths into powerhouses.
Art
The US prison system is one of the world's great shames.
Art
WALTHAM, Mass. — At root, Lisa Yuskavage is a portraitist. And while detractors still summon up the provocations in her work, focusing on the perkily carved breasts and openly displayed genitalia, those aspects are only a single, thin veneer atop the subjects she paints.
Art
PARIS — Where the newness of art comes from (when it comes) is something of a conundrum.
Art
Year that both Paul Gauguin and Edvard Munch viewed a Peruvian mummy in Paris, now at the Musée de l'Homme, which may have inspired the howling expression of Munch's "The Scream" = 1889
Art
When French photographer Jean-François Jaussaud asked an 84-year-old Louise Bourgeois for permission to photograph her at her New York home and studio, she gave him an intimidating stipulation.
Art
In 1920s Hamburg, a dancer couple created wild, Expressionist costumes that looked like retro robots and Bauhaus knights.
Art
HAMTRAMCK, Mich. — “I want to know what love is,” artist Scott Northrup confides in me via email, and his reference to the Foreigner song of same name is neither ironic nor unintentional.
Art
In Layers of Fear, a new game by the Poland-based Bloober Team, you are an artist who has gone completely insane.
Art
The Swiss Institute’s second annual architecture and design exhibition attempts to recapture the revelatory voice of Le Corbusier for the technological age. The results are more cumbersome than visionary.