The self-taught artist, who carved gravestones for a living, is finally receiving institutional recognition.
Barnes Foundation
Posted inArt
Model, Rebel, and Painter, Suzanne Valadon Defied the Odds
Her female nudes were extraordinary for the time because she portrayed female sexual desire. Her subjects defied conventional ideals of femininity.
Posted inArt
How Soutine Showed de Kooning a Way Out
It seems to me that Soutine’s complete lack of interest in the cubists’ desire for order was exactly what appealed to de Kooning.
Posted inArt
Bill Viola’s Videos Elevate the Commonplace
Viola’s art takes us to the core of humanity through technology, exploring birth, death, and transcendence, examining the soul through the human body.
Posted inArt
Why Berthe Morisot Was an Essential Figure in the Impressionist Movement
A major exhibition on view at the Barnes Foundation presents a chance to understand the qualities that made Morisot’s success possible.
Posted inIn Brief
The Famously Photo-Wary Barnes Foundation Makes Its Art More Accessible Online
The museum has a notriously strict no-photos policy, but has now made much of its collection available for digital download and sharing.
Posted inArt
Horsing Around With Philadelphia’s Urban Cowboys
Mohamed Bourouissa’s exhibition at the Barnes Foundation centers on his time with the Fletcher Street Urban Riders Club.
Posted inArt
The Political Problems of the Contemporary “Flâneur”
An exhibition at the Barnes Foundation uses the theme of the contemporary flânuer to draw connections to its 19th-century collection, but the concept is deeply muddled.
Posted inArt
Conjuring Paintings’ Innermost Thoughts at the Barnes Foundation
In Andrea Hornick’s audio tour, the figures of paintings converse and come to life.
Posted inArt
Contemporary Artists Create a New Kind of Order at the Barnes Foundation
PHILADELPHIA — It’s an illuminating mental exercise to ponder: what if Dr. Albert C. Barnes, the pharmaceutical tycoon and physician who assembled an unmatched collection of Post-Impressionist and early Modern paintings in Philadelphia, was actually an installation artist before his time?
Posted inArt
Antiquities and Idiosyncrasies in 18th-Century Britain
The stately facade of Sir John Soane’s Museum sits on the northwest side of Lincoln’s Inn Fields, a square, grassy park filled with young Londoners throwing frisbees, drinking beer, and flirting. The interior of the museum, at 13 Lincoln’s Inn Fields, is a strikingly different environment, a purposeful anachronism to the outside world. A unique collection of objects, Sir John Soane’s Museum is a place that reveals its namesake’s tastes and obsessions. Like the Barnes Foundation in Philadelphia, it was designed and arranged by its owner to outline specific aesthetic criteria.
Posted inOpinion
Barnes Raises Ticket Prices So That People Will Stop Touching the Art
Now that it’s been settled in its new location for almost a year, the Barnes Foundation is getting comfortable and raising ticket prices — which wouldn’t really be newsworthy if it weren’t for the reason they’re providing for the change.
