Opposing the Boycott, Divestment, and Sanctions movement takes away the only effective nonviolent leverage that Palestinian society currently has.
Last month, the following letter was sent to artist Mel Chin by New York–based curator Manon Slome.
Editor’s note: The article was written by Omar Barghouti, who is a founding committee member of the Palestinian Campaign for the Academic and Cultural Boycott of Israel (PACBI). PACBI is a member of The Boycott, Divestment & Sanctions Campaign National Committee (BNC). This article is the fourth in a continuing series exploring BDS and its connection to the art world.
Editor’s note: The following interview, which was conducted over email, is the third in a continuing series exploring BDS and its connection to the art world.
Editor’s note: The following article, written by Amin Husain, Nicholas Mirzoeff, and Nitasha Dhillon as MTL Collective, is a response to the “Report on the Cultural Boycott of Israel,” which we published last week. This is the second in a continuing series exploring BDS and its connection to the art world.
Editor’s note: For roughly three years, Hyperallergic has been covering the Boycott, Divestment and Sanctions (BDS) movement and how it manifests in the art world, including recently during the 31st São Paulo Biennial. The following report outlines recent developments in regards to BDS and the positions of various art-related entities.