Art Review
A Mother and Daughter’s Lifelong Art Collaboration
Nora Naranjo Morse’s colorful sculptures watch over the events and characters in her daughter Eliza’s paintings from their own unique perspectives.
Art Review
Nora Naranjo Morse’s colorful sculptures watch over the events and characters in her daughter Eliza’s paintings from their own unique perspectives.
Art
An exhibition at Blanton Museum of Art encapsulates the complicated ways in which Indigenous and European traditions cross-pollinated through textiles and accessories.
News
Fondant, pie crust, and icing are the chosen mediums of the Blanton Museum's annual bake-off, which asks competitors to recreate collection artworks as cakes.
Art
The Colombian artist’s first US retrospective is a meditation on memory and seeing.
Art
From North to South America, artists used the bold colors, figuration, and appropriated imagery of Pop Art, but with a biting political message.
Art
Born to an immigrant family in El Paso, Texas, Luis Jiménez grew up in a world dominated by cowboys, cactus, and rattlesnakes, all of which appeared in his art.
Art
“If you’re going to do art history,” Steinberg declared, “you’d better know what your artists were looking at. And that has to include prints.”
Art
In darling divined, Brackens teases out the symbolism, allegory, and parable long associated with global cosmologies of tapestry weaving.
Art
With the teaching galleries at the Blanton Museum now being closed, as a museum educator there I can’t but help ponder how an art experience of close looking with our eyes, our bodies, and our breath might translate in our post-pandemic future.
History
Once the official sculptor in the court of the last Habsburg king, Luisa Roldán is easily the most famous sculptor you’ve never heard of.
Art
Amauta affirmed the rights and political demands of Latin America’s indigenous groups and recognized their cultures as vital and authentic alternatives to Hispanicized, colonial narratives.
Art
In unifying contemporary tropical realities with histories of colonization, Minaya demonstrates how imperialist attitudes survive in the discourse and commodification culture surrounding tropical tourism.