In his “Complete History of World Art,” Colescott skewers notions around propriety, race, beauty, and art.
Over 140 artists and celebrities contributed to Show Me the Signs, a live auction and exhibition at Blum & Poe in Los Angeles that benefits the #SayHerName Mothers Network.
Colescott reached the heights of a master painter, becoming one of the first prominent artists to embed black bodies and social critique into the art historical canon.
Hugh Scott-Douglas takes viewers on a journey through the oceanic trade and zeroes in on the interference of bodies and labor in global transactions.
From an exhibition about the first superstar curator to Pacific Standard Time’s performance festival, there’s strong work aplenty on the horizon.
Grossen’s rope sculptures complicate the boundary between art and craft in a productive way.
Benglis always carried the painting process into her work, resulting in a visual representation of material in action.
Friedrich Kunath’s latest exhibition is fragrant with nostalgia, melancholy, and whimsy.
Carroll Dunham’s latest paintings of men acting out masculine rituals in his signature landscapes opens this Friday at Blum & Poe in Los Angeles.
In the last 15 years, Agnès Varda has embraced the label of visual artist rather than the more specific filmmaker.
Sam Durant’s exhibition Build Therefore Your Own World at Blum & Poe examines and creates points of connection between the transcendentalists and African Americans.