Book Review
Jewelry Deserves a Place in Art History
Beyond Adornment explores what the depiction of jewelry in art says about adornment, artists, and their subjects, from Charlemagne to Frida Kahlo.
Book Review
Beyond Adornment explores what the depiction of jewelry in art says about adornment, artists, and their subjects, from Charlemagne to Frida Kahlo.
Book Review
In The Buried City, the director of the archaeological park brings a more humane and soulful version of the site to life.
Book Review
Sue Prideaux’s new biography of the artist reveals both a discomfort with his complex legacy and that, in 2025, redemption arcs sell.
Book Review
Like an art history detective, Mei Mei Rado mines textiles and techniques to reveal cross-cultural Chinese-European liaisons driven by nationalism and a keen interest in design.
Book Review
Craig Thompson’s rhizomatic new graphic novel about the root’s farming industry exposes the paradoxes of Trump’s America.
Book Review
Readers might enjoy the gross and gory fairy-tale quality of this new book — or its parallels to the Trumpian internet.
Book Review
A new comic book is as much a social history of photography and its relationship to culture during the 19th century as it is one man’s life story.
Book Review
Surrealism through Its Journals reminds us that the movement began with, and cannot be understood without, the written word.
Book Review
In Surreal, Michèle Gerber Klein asks us to confront the unjust eclipse of Gala’s legacy by that of her husband, Salvador, whose career she brought to fruition.
Book Review
A new book sets its sights on the artist’s lesser-known post-war career and her negotiations of identity.
Book Review
Rife with descriptions of “seductive” works, the former “New York Times” Paris bureau chief’s book reads more like a travel guide than the impartial reporting of a journalist.
Book Review
No Man’s Land, Pakistani artist Amin Gulgee’s first comprehensive monograph, maps his interest in exploring ritual, science, grief, and healing in a visual language all his own.