Book Review
Eadweard Muybridge and the Making of the Motion Picture
A new comic book is as much a social history of photography and its relationship to culture during the 19th century as it is one man’s life story.
Book Review
A new comic book is as much a social history of photography and its relationship to culture during the 19th century as it is one man’s life story.
Book Review
Surrealism through Its Journals reminds us that the movement began with, and cannot be understood without, the written word.
Book Review
In Surreal, Michèle Gerber Klein asks us to confront the unjust eclipse of Gala’s legacy by that of her husband, Salvador, whose career she brought to fruition.
Book Review
A new book sets its sights on the artist’s lesser-known post-war career and her negotiations of identity.
Book Review
Rife with descriptions of “seductive” works, the former “New York Times” Paris bureau chief’s book reads more like a travel guide than the impartial reporting of a journalist.
Book Review
No Man’s Land, Pakistani artist Amin Gulgee’s first comprehensive monograph, maps his interest in exploring ritual, science, grief, and healing in a visual language all his own.
Book Review
A new monograph brings the artist’s life into focus as she returns to the same subjects again and again: the women in her family, the British Museum, and the sea.
Book Review
In a new book, scholar Ruth E. Iskin emphasizes Cassatt as a distinctly transatlantic artist whose identification with the US and France were deeply entwined.
Book Review
The essays in Speculative Light explore the many ways in which Beauford Delaney, another queer Black man, revolutionized Baldwin’s cultural perspective and imagination.
Book Review
With a fair dose of whimsy, Also on View draws attention to museums off the beaten track, centering the region’s rich diasporic fabric and cultural niches.
Book Review
This photo history of plants tackles the problem of how to pull ourselves out of the blind, anthropocentric march toward climate disaster.
Book Review
Despite the often stifling influence of critic John Ruskin, Francesca Alexander dedicated her art and life’s work to the people of Tuscany.