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Bridget Riley’s Razzle-Dazzle Career
A first-ever biography of the pioneering British modernist charts the creative path of an intense and deeply sensitive painter.
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The Horrors of the Atomic Age Through Artists' Eyes
The art and literature in Invisible Colors turn our gaze toward the blinding fury of the atom’s explosion in its singular purpose to raze and slaughter.
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Recreating Artemisia Gentileschi's Life in Graphic Form
I Know What I Am: The Life and Times of Artemisia Gentileschi weaves together known facts of Gentileschi’s life with the politics of art patronage.
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Considering the Weight and Worth of Gold
Through a range of visual and poetic essays, Lisa Barnard’s The Canary and The Hammer offers a heady examination of our enduring fascination with the element.
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Capturing the Timeless Drawings of Milein Cosman
Ines Schlenker’s illustrated biography, Milein Cosman: Capturing Time, proves Cosman’s importance both as an artist and as a chronicler of her period in artistic history.
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A Former Museum of Modern Art Director's Meticulous Eye for Detail
As a non-specialist Rene d’Harnoncourt had a rare ability to engage deeply with objects across time, cultural specificity, and form.
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Italian Poet Amelia Rosselli's Diary Examines and Reexamines the Self
In her diary, Rosselli experimented with what she described as “wild” writing to explore trauma and loss.
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When a Poet Becomes Invisible
Facing her mortality, Mary Ruefle does not ask for pity or sympathy, because death is democratic.
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Finding Beauty in the Mundane Landscapes of Northern Italy
In Luigi Ghirri's Colazione sull’Erba, previously unpublished images from the photographer’s archive present a sparsely populated world of placid tranquility.
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Artists Who Have Addressed Sexual Trauma Since the 1970s
In Against Our Will, Vivien Green Fryd makes a convincing case for the need to examine artworks through the lens of sexual trauma, a violent reality that unfortunately spans across gender, ethnicity, race, and time.
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How Victorian Intellectuals Idealized Japan and Its Culture
The undercurrent of the book is the link between Japonisme, aesthetics, and queer culture: Admiring Japan was, in several cases, shorthand for queerness and a dainty homoeroticism.
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Taking Cuteness Seriously
In The Power of Cute Simon May posits that "cute" is a modern-day iteration of the Renaissance archetype of the monstrous.