Books
More of an art- or archival collection than a typical book, Cunnigham's recently reissued Changes gathers sketches, notes, photographs, programs, and all other manner of ephemera in a creative package.
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In her graphic novel The Hard Tomorrow, Eleanor Davis explores how different people react to living in a pressure cooker of rising fascism amidst dire inequality and a collapsing ecosystem.
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Paula Rego, John Ruskin, Donald Judd, Lucian Freud, Hokusai, and, yes, Leonardo da Vinci.
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Ruskin was captivated with more than just art and architecture. He wrote at some length on geology, mythology, crystallography, ornithology, herpetology — and who knows what else.
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In Radical Suburbs, author Amanda Kolson Hurley argues that the failures and achievements of suburban life offer a roadmap to future sustainable and equitable housing.
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These poems channel the artist's restlessness and longings into uncanny, animated visions.
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The title of Great Women Artists is complete with a strikethrough across “women,” to indicate that the artists within are “great artists” regardless of gender. Visually, it’s arresting, but its intention is murky.
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Pete Gershon's book about the Houston art community offers some simple advice: live around artists you respect and in a place you can afford to make work, even if no one buys it.
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Stephen Gill's new book of photographs, The Pillar, thrums with the spirit of birds, and demonstrates that without them, there is no land; without the birds, there are no pictures.
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Nancy Princenthal’s Unspeakable Acts delves into the links between violence and silence, art and terror, and how pioneering women made them into art.
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In her new memoir Camgirl, screenwriter Isa Mazzei joins the long tradition of women who use the personal to explore and deconstruct sex and culture.
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The five essays in Bacon and the Mind: Art, Neuroscience and Psychology call us to grapple with an artist whose life and work were anything but simple.