Performance
An Operatic Lament for the Lonely Artist
"When we meet the very best, we have to give up," baritone Rod Gilfry intoned in The Loser, composer David Lang's one-act opera that debuted last week at the Brooklyn Academy of Music (BAM).
Performance
"When we meet the very best, we have to give up," baritone Rod Gilfry intoned in The Loser, composer David Lang's one-act opera that debuted last week at the Brooklyn Academy of Music (BAM).
Film
Martin Bell's Streetwise (1984) endures. It's a documentary that has spawned countless discussions on homeless children over the years.
Performance
The archives of the Metropolitan Opera can seem like some kind of pharaonic tomb, packed as they are with theatrical treasures.
Music
My roommate once noted how I only sing in the apartment when we play Brazilian music.
Performance
Audiences entering the black box space of BAM Fisher in Brooklyn for More up a Tree found a transparent room containing a man sprawled on his back, and a woman nervously pacing.
Performance
If you’ve ever been to a high school or college football game, chances are you’ve seen a color guard.
Art
Critical, frenzied, imaginative, and committed, the works of Communist Cuba’s first generation of filmmakers helped reinvigorate and reinterrogate revolutionary cinema.
Performance
Nine o’clock: the stage lights dim and a spotlight illuminates a stuffed “hero” sandwich the size of a small sofa. The opening melody of Tina Turner’s “We Don’t Need Another Hero” — hit theme song from Mad Max: Beyond Thunderdome — fills BAM’s Fishman Space.
Performance
Laurie Anderson was already working on a cycle of songs with Kronos Quartet when on October 29, 2012, Hurricane Sandy rose the Hudson River into her West Village home.
Art
Chris Marker’s death two years ago, on the day of his 91st birthday, heralded a surge of renewed interest in the enigmatic French filmmaker. With an impressive retrospective centered on a digital restoration of the film Level Five (1997), the Brooklyn Academy of Music presses on with the project of
Film
Let’s look past the globules, barnacles, and goo. At its heart, Matthew Barney’s River of Fundament is a film about white, male America’s failure to comprehend urbanism.
Art
In the opening of his review of Matthew Barney’s River of Fundament for GalleristNY, Michael H. Miller writes that “it feels perverse to attempt to review, or even summarize” the six-hour-long film (including two intermissions), which premiered on Wednesday night at the Brooklyn Academy of Music. I’