The issue that gets lost in ethnic fraud cases is how they require the participation of the mostly White cultural and academic institutions who hire them.
In recent weeks, thousands have urged Canadian journalist organizations to reform their coverage of the Israel-Palestine conflict.
The London-based moving image artist considers the costs of youthful assimilation.
The 2021 Festival focuses on public installations across the city for artists to meaningfully engage with audieces while examining critical issues.
In an ongoing series of Lego-made sculptures, Ekow Nimako imagines the legacies of past sub-Saharan civilizations into the distant future.
Moon Poetics reminds visitors of their geological impact, and also that future survival depends on our transformative action.
The Twentieth Century is a surreal, irreverent anti-biopic of Canadian Prime Minister William Lyon Mackenzie King.
After Divya Mehra uncovered the colonial history behind a misidentified 18th-century statue, the Mackenzie Art Gallery repatriated it and acquired Mehra’s work about the figure in its stead.
Divya Mehra offers a complex view of race and identity that supplants the myth of a monolithic Other.
44.4 Mothers/Artists Collective is making space in Ottawa and the Outaouais region for artists who are mothers, who have been habitually overlooked in the art world.
Is public apology a practice that should be abandoned, or should it be reimagined? Looking at AA Bronson’s “A Public Apology to Siksika Nation” provides some guidance.
Isiah Medina’s Inventing the Future and Mike Hoolboom’s Judy Versus Capitalism posit different ways for movies to work outside traditional aesthetics and structures.