The Costume Institute is willfully ignoring Karl Lagerfeld’s bigoted views and his family’s concealed Nazi past.
A clever way of telling if a piece of clothing is a knock-off is to look at the stitching: if it’s crooked, it’s probably been hastily assembled in some sweatshop; if it’s straight, it’s been meticulously formed with the utmost sensitivity to detail in an atelier.
Designer/artist crossbreeding is nothing new. MAC had Cindy Sherman, Louis Vuitton had Takashi Murakami, and Stella McCartney had Barry Reigate. But for the 65 year-old house of Dior, a new accessories and cosmetics collection made in collaboration with German contemporary artist Anselm Reyle may be a bold new step that will help invigorate the French label.
More often than ever the term “haute couture” pervades department stores, small-scale boutiques and celebrities’ clothing lines, but the appropriation of the term does not make it anything special.
In Vaughan’s new book, Sleeping with the Enemy: Coco Chanel’s Secret War, the author attempts to prove that Chanel actually worked for German military intelligence during World War II. That’s right, folks, the maker of your fabulous quilted purses was a Nazi Spy!