A narrative unfolds in Alejandre’s recent paintings whereby the Chicano moon landing led to the creation of “Xicanoland.”
In a new show, Nicole Marroquin’s artworks are in dialogue with the documentary photographs of Mexican-born artist Diana Solís.
Born in Mexico and raised in Denver, the artist has never been able to visit his family on the other side of the border.
The newly opened Cheech Marin Center for Chicano Art & Culture — also known as “The Cheech” — celebrates, spotlights, and complicates representations of Chicano art.
It’s not a “greatest hits” show, or a comprehensive survey; rather, it is a starting point to reconsider an expansive vision of Chicana/o art.
A new exhibition at the Mexic-Arte Museum reveals the crucial but under-recognized role that the Chicano art movement played in Austin’s history and culture.
Printmaking, especially screen printing, has been a key tool for Chicanos to communicate who they are and what they care about since the 1960s.
The chef’s Barrio Café in Metro Phoenix is home to the bold and the beautiful.
Ramirez identified as a conceptual artist, but unlike his peers, his work is “filled with a deep and palpable humanity.”
In the 1970s and ’80s, the Bags, Vaginal Davis, Nervous Gender, and Los Illegals used music and performance to express their dissent of racism and gender violence, imagining punk as a possible utopia.
UCLA’s Chicano Studies Research Center will conserve over 14,000 photographs and 125 audio recordings that make up the community’s spiritual patrimony.
LA Plaza de Cultura y Artes is live streaming a walkthrough of its special exhibition on Carlos Almaraz.