Returning to the Museum of Moving Image, this year’s First Look 20/21 is the largest in the festival’s history.
Sight & Sound has released its annual poll of which essays different video makers loved most. Here are some of the highlights.
Ahead of Galibert-Laîné’s debut at Images Festival, she talks to Hyperallergic about making video essays solely with a computer.
Year after year, True/False has provided a forum for filmmakers, critics, and viewers to do the work of considering documentary outside of its traditional boundaries.