Art
Clyfford Still’s Questionable Attempts at “Preserving” Indigenous Culture
In the 1930s, Still co-founded the Nespelem Art Colony, through which he and other faculty and students observed a precarious Indigenous community in Washington.
Art
In the 1930s, Still co-founded the Nespelem Art Colony, through which he and other faculty and students observed a precarious Indigenous community in Washington.
Art
The Late Works: Clyfford Still in Maryland offers a historical pivot by focusing on the last 20 years of the artist's life, revealing his most productive period and foregrounding work that is rarely discussed.
News
The BMA plans to sell three works by Brice Marden, Clyfford Still, and Andy Warhol. It will funnel $10 million of the proceeds into a fund to acquire works by women and artists of color.
Film
The documentary Lifeline recounts Still’s life, career, and legacy — and how they were shaped by his cantankerous temperament.
Art
When an exhibition is as puzzling as this one, it’s useful to step aside and reflect.
Art
Sandra Still offers sharp judgments on celebrated paintings and brilliant details about her father during his most reclusive period.
Art
This expansive AbEx show is brash, irreverent, and unconstrained, just like the period it aims to express.
Art
BUFFALO — Many published interviews with the contemporary artist Mark Bradford focus on his youth and the geography of Los Angeles, but not his conversation with Abstract Expressionism.
News
Known mostly for his paintings, Clyfford Still drew prolifically, producing thousands of works of paper throughout his 60-year career as an artist.
Art
In 1952, years before she won the Pulitzer Prize for Criticism, art critic Emily Genauer received a pair of rubber underpants in the mail — the kind of underpants babies wore before the advent of disposable diapers.
Art
DENVER — The Clyfford Still Museum's current exhibition, Repeat/Recreate, has been on the institution’s wish list for nearly 10 years, since well before it even opened.
Art
There may be some great-looking specimens of postwar art in Re-View: Onnasch Collection — an exhibition that turns Hauser & Wirth’s cavernous Chelsea outpost into a mini-museum offering the kind of intimate experiences that have been all but lost in New York’s uptown behemoths — but the show also ar