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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Columbia University Graduate School of Journalism

Posted inArt

The Curious Dream to Build the World’s First NFT Museum

by Prakruti Bhatt December 12, 2021December 10, 2021

A secretive blockchain entrepreneur wants to mint a new institution to prove that NFTs are here to stay.

Posted inArt

Who Owns the 3D Scans of a Famous Venetian Church?

by Francesca Carington December 12, 2021December 10, 2021

“I don’t see the recording of the island as an end in itself,” says Adam Lowe, the founder of Factum. “We see it as the start of a new level of research.”

Posted inArt

Could 3D Scanning Further Complicate Art Repatriation?

by Megan Zhang December 9, 2021December 10, 2021

Is it disrespectful to separate an object from its original cultural context?

Posted inArt

Self-Portrait as Future

by Omnia Saed November 30, 2021November 30, 2021

When looking at images from the golden age of Sudanese photography, I was reminded to listen as much as look.

Posted inArt

The Poetics of an Invisible Market

by Alessandra Schade November 30, 2021December 1, 2021

“I’m making a financial instrument as an artwork. That’s the new reality.” She stares unwavering into the distance. “What is existence on the blockchain? Does an NFT exist?” 

Posted inArt

Is Sex Tech the Next Feminist Frontier?

by Alexandra Weiss November 16, 2021November 17, 2021

From smart vibrators to mind-controlled sperm, these artists are using technology to explore sexuality and bodily autonomy.

Posted inArt

Dalit Musicians Are Playing A New Tune

by Tasneem Merchant December 12, 2019

Through their music, artists like Ginni Mahi and The Casteless Collective have protested the ways Dalits have been maltreated and marginalized in Hindu culture, often called “untouchables.”

Posted inPerformance

A Live Podcast Centers Stories From Bosnia, Palestine, and Mexico

by Max Pearl November 14, 2019November 15, 2019

In its best moments, Radio Live made the world feel smaller with rich vignettes from lives we might have little intimate access to.

Posted inArt

How Theater Directors Use Fragrances to Create “Poetry for the Nose”

by Mia Adorante November 13, 2019November 13, 2019

Memory is directly linked to our sense of smell. That’s why Cyril Teste chose to engage the audience’s noses in directing Opening Night at the Crossing the Line festival.

Posted inArt

The Insidious Carbon Footprint of Travel to Art and Cultural Festivals

by Robert Steiner November 12, 2019November 12, 2019

With climate change an undeniable threat, will arts festivals have to reassess their reliance on air travel?

Posted inPerformance

A One-Man Show Repackages Michel Foucault for the Age of Trump

by Erick Bengel November 11, 2019November 13, 2019

This boldly minimalist production — a co-presentation of FIAF’s Crossing the Line festival, the Invisible Dog Art Center, and The Cooper Union directed by Fanny de Chaillé — revisits a text written for times of upheaval.

Posted inFilm

Pierre Huyghe’s Filmic Fantasia About Preparing for Life

by Robert O'Connell November 8, 2019November 8, 2019

Huyghe’s The Host and the Cloud, which ran at the Crossing the Line festival, creates a surprising sense of solemnity in making ready for events.

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