A secretive blockchain entrepreneur wants to mint a new institution to prove that NFTs are here to stay.
Columbia University Graduate School of Journalism
Posted inArt
Who Owns the 3D Scans of a Famous Venetian Church?
“I don’t see the recording of the island as an end in itself,” says Adam Lowe, the founder of Factum. “We see it as the start of a new level of research.”
Posted inArt
Could 3D Scanning Further Complicate Art Repatriation?
Is it disrespectful to separate an object from its original cultural context?
Posted inArt
Self-Portrait as Future
When looking at images from the golden age of Sudanese photography, I was reminded to listen as much as look.
Posted inArt
The Poetics of an Invisible Market
“I’m making a financial instrument as an artwork. That’s the new reality.” She stares unwavering into the distance. “What is existence on the blockchain? Does an NFT exist?”
Posted inArt
Is Sex Tech the Next Feminist Frontier?
From smart vibrators to mind-controlled sperm, these artists are using technology to explore sexuality and bodily autonomy.
Posted inArt
Dalit Musicians Are Playing A New Tune
Through their music, artists like Ginni Mahi and The Casteless Collective have protested the ways Dalits have been maltreated and marginalized in Hindu culture, often called “untouchables.”
Posted inPerformance
A Live Podcast Centers Stories From Bosnia, Palestine, and Mexico
In its best moments, Radio Live made the world feel smaller with rich vignettes from lives we might have little intimate access to.
Posted inArt
How Theater Directors Use Fragrances to Create “Poetry for the Nose”
Memory is directly linked to our sense of smell. That’s why Cyril Teste chose to engage the audience’s noses in directing Opening Night at the Crossing the Line festival.
Posted inArt
The Insidious Carbon Footprint of Travel to Art and Cultural Festivals
With climate change an undeniable threat, will arts festivals have to reassess their reliance on air travel?
Posted inPerformance
A One-Man Show Repackages Michel Foucault for the Age of Trump
This boldly minimalist production — a co-presentation of FIAF’s Crossing the Line festival, the Invisible Dog Art Center, and The Cooper Union directed by Fanny de Chaillé — revisits a text written for times of upheaval.
Posted inFilm
Pierre Huyghe’s Filmic Fantasia About Preparing for Life
Huyghe’s The Host and the Cloud, which ran at the Crossing the Line festival, creates a surprising sense of solemnity in making ready for events.