Through their music, artists like Ginni Mahi and The Casteless Collective have protested the ways Dalits have been maltreated and marginalized in Hindu culture, often called “untouchables.”
Columbia University Graduate School of Journalism
Posted inPerformance
A Live Podcast Centers Stories From Bosnia, Palestine, and Mexico
In its best moments, Radio Live made the world feel smaller with rich vignettes from lives we might have little intimate access to.
Posted inArt
How Theater Directors Use Fragrances to Create “Poetry for the Nose”
Memory is directly linked to our sense of smell. That’s why Cyril Teste chose to engage the audience’s noses in directing Opening Night at the Crossing the Line festival.
Posted inArt
The Insidious Carbon Footprint of Travel to Art and Cultural Festivals
With climate change an undeniable threat, will arts festivals have to reassess their reliance on air travel?
Posted inPerformance
A One-Man Show Repackages Michel Foucault for the Age of Trump
This boldly minimalist production — a co-presentation of FIAF’s Crossing the Line festival, the Invisible Dog Art Center, and The Cooper Union directed by Fanny de Chaillé — revisits a text written for times of upheaval.
Posted inFilm
Pierre Huyghe’s Filmic Fantasia About Preparing for Life
Huyghe’s The Host and the Cloud, which ran at the Crossing the Line festival, creates a surprising sense of solemnity in making ready for events.
Posted inPerformance
Engaging With the Lives of Teen Immigrants in an Interactive Play
The experimental play Manmade Earth, a co-presentation of FIAF’s Crossing the Line festival and The Invisible Dog Art Center, demanded that its audience listen to the experiences and anxieties of adolescents from around the world.
Posted inPerformance
Bringing a John Cassavetes Classic to the Stage With a Volcanic Performance
In Opening Night director Cyril Teste and actor Isabelle Adjani went to lengths to present their protagonist with psychological depth and intimacy at FIAF’s Crossing the Line festival.