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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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Columbia University Graduate School of Journalism

Posted inPerformance

New York Stage Productions Are Feeling the Strain of Supply Shortages

Avatar photo by Emma Forgione October 27, 2022October 28, 2022

When supply chains and funding fall short, theatre does too.

Posted inPerformance

How Do We Free Those Who Are Already Free?

Avatar photo by Emma Forgione October 26, 2022October 26, 2022

African scholars Felwine Sarr and Dorcy Rugamba seek to answer this question with the musical theatre performance Freedom, I’ll have lived your dream until the very last day.

Posted inMusic

Still Hurting From the COVID Pandemic, DJs Turn to Digital Platforms 

Avatar photo by Carlos José Jijón October 25, 2022October 25, 2022

The use of technologies such as NFTs and live streaming has been growing steadily in the music world since the COVID-19 lockdowns.

Posted inArt

Is Shadow Puppetry a Dying Art Form?

Avatar photo by Radiyah Chowdhury October 25, 2022October 25, 2022

There are tensions between those who wish to preserve the nature of shadow play and those who want to see it evolve.

Posted inPerformance

Digital Theater Is Not Just a Pandemic Fad, Creators Say 

Avatar photo by Mihika Agarwal October 24, 2022October 26, 2022

The art form continues to survive the return of in-person theatre, but maker-performers struggle with a lack of institutional support.

Posted inArt

Unboxing the Origins of Civilization

Avatar photo by Anne Whiting October 23, 2022October 23, 2022

With cardboard paintings, Omar Ba honors African cultures and challenges the Eurocentric view of history.

Posted inPerformance

Hope and Agony According to Felwine Sarr

Avatar photo by Minh Le October 23, 2022October 26, 2022

Traces — Speech to African Nations is a spoken word piece with music written by the acclaimed Senegalese scholar and performed by the Burkinabé actor Étienne Minoungou.

Posted inArt

The Curious Dream to Build the World’s First NFT Museum

Avatar photo by Prakruti Bhatt December 12, 2021October 20, 2022

A secretive blockchain entrepreneur wants to mint a new institution to prove that NFTs are here to stay.

Posted inArt

Who Owns the 3D Scans of a Famous Venetian Church?

Avatar photo by Francesca Carington December 12, 2021October 20, 2022

“I don’t see the recording of the island as an end in itself,” says Adam Lowe, the founder of Factum. “We see it as the start of a new level of research.”

Posted inArt

Could 3D Scanning Further Complicate Art Repatriation?

Avatar photo by Megan Zhang December 9, 2021October 20, 2022

Is it disrespectful to separate an object from its original cultural context?

Posted inArt

Self-Portrait as Future

Avatar photo by Omnia Saed November 30, 2021November 30, 2021

When looking at images from the golden age of Sudanese photography, I was reminded to listen as much as look.

Posted inArt

The Poetics of an Invisible Market

Avatar photo by Alessandra Schade November 30, 2021December 1, 2021

“I’m making a financial instrument as an artwork. That’s the new reality.” She stares unwavering into the distance. “What is existence on the blockchain? Does an NFT exist?” 

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SITE Santa Fe Opens Bruce Nauman’s First Solo Exhibition in New Mexico
Sponsored

SITE Santa Fe Opens Bruce Nauman’s First Solo Exhibition in New Mexico

His Mark features a collection of new and recent video installations, including never-before-shown self-portrait work and 3D video.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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