A secretive blockchain entrepreneur wants to mint a new institution to prove that NFTs are here to stay.
“I don’t see the recording of the island as an end in itself,” says Adam Lowe, the founder of Factum. “We see it as the start of a new level of research.”
Is it disrespectful to separate an object from its original cultural context?
When looking at images from the golden age of Sudanese photography, I was reminded to listen as much as look.
“I’m making a financial instrument as an artwork. That’s the new reality.” She stares unwavering into the distance. “What is existence on the blockchain? Does an NFT exist?”
From smart vibrators to mind-controlled sperm, these artists are using technology to explore sexuality and bodily autonomy.
Through their music, artists like Ginni Mahi and The Casteless Collective have protested the ways Dalits have been maltreated and marginalized in Hindu culture, often called “untouchables.”
In its best moments, Radio Live made the world feel smaller with rich vignettes from lives we might have little intimate access to.
Memory is directly linked to our sense of smell. That’s why Cyril Teste chose to engage the audience’s noses in directing Opening Night at the Crossing the Line festival.
With climate change an undeniable threat, will arts festivals have to reassess their reliance on air travel?
This boldly minimalist production — a co-presentation of FIAF’s Crossing the Line festival, the Invisible Dog Art Center, and The Cooper Union directed by Fanny de Chaillé — revisits a text written for times of upheaval.
Huyghe’s The Host and the Cloud, which ran at the Crossing the Line festival, creates a surprising sense of solemnity in making ready for events.