Bystanders loudly criticized an unnamed woman who climbed onto the seaside landmark for a photo despite multiple posted warning signs.
Copenhagen
Ragnar Kjartansson’s Spiritual Satire
Much of Kjartansson’s work combines dry humor with a sobering examination of power and violence.
Alexander Tovborg Seeks the Sacred in the Aesthetic
Kirken works because modern galleries have quasi-religious qualities, with white walls and empty spaces creating an atmosphere for contemplation.
How Can We Mend the Fashion World?
Beautiful Repair: Mending in Art and Fashion at Copenhagen Contemporary explores the aesthetics of mending through the lens of art and fashion.
The Cold Gaze and the Myth of Objectivity
A Copenhagen exhibition offers a rich view into the creative production and daily life in the Weimar Republic, with its glamour and its grotesquerie.
Two Nordic Art Fairs Look Beyond Geography
Down Иorth: North Atlantic Triennial and CHART suggest a model of regional exhibition-making that refutes the essentialism common in contemporary art.
Danish Artist’s Racist “Covid China” Artwork Draws Outrage
Instead of apologizing, the artist mocked a Chinese student who protested the work.
The Happiness Museum Shares Denmark’s Well-being Secrets
According to the United Nation’s annual ranking, Denmark is the world’s second happiest country.
Courtroom Sketches from Ai Weiwei’s Legal Battle Against Volkswagen
The artist has filed a lawsuit against the company for copyright infringement after the automaker used one of his works about the refugee crisis as a backdrop for its cars.
Artists Dream Up Digital Dystopias
A group show at Kunsthal Charlottenborg imagines an unknown future full of sleek techno-chaos.
Facebook Censors Photo of Copenhagen’s Beloved Little Mermaid Statue
For more than a century, Edvard Eriksen’s bronze statue of “The Little Mermaid” has perched quietly on a waterside rock in Copenhagen, offending virtually no one.
Mundane Horror in Abandoned Stasi Spaces
As we creep up on the 25th anniversary of the fall of the Berlin Wall (November 9, 1989), some of the remains of the oppressive Ministry for State Security, aka the Stasi, remain as if in their own time capsule.