A heartfelt display, Objects USA: 2020 updates the 1969 project by building bridges of influence and inspiration across generations of artists.
Tag: craft art
Craft Through This: Why Getting Together Online to Make Stuff Matters
With the scarcity of human contact, crafting offers a tactile and sensory experience, a different type of touch and connection.
The Story of an Experimental Craft Colony in New Jersey
Peters Valley began as an experimental colony, eventually evolving into a craft school of prominent women blacksmiths, ceramicists, and fiber artists.
Crafting Critical Approaches to Americans’ Relationship to Possessions
OBJECTS: REDUX, a reimagining of the groundbreaking 1969 Smithsonian exhibition OBJECTS: USA, explores innovative creation rooted in tradition and convention.
Wondering About the Future of the Smithsonian’s Craft Museum
WASHINGTON, DC — The work presented at the Renwick Gallery was always a perfect counterpoint to the artifacts and antiquities, modernist painting, and contemporary sculpture and film on view at the various museums on the National Mall.
In Bushwick, an Exhibition Tears Down Walls Between Art and Craft
Neo-Craftivism, a group show at the Parlour Bushwick, brings together works by nine artists that dynamite the tired old boundaries separating craft and art.
The Teddy Bears and Soda Cans of Clare Graham
LOS ANGELES — The term “craft,” especially in the context of the art world, is tricky. Who decides what’s art and what’s craft, and is there a hierarchy between the two? Happily, an exhibition sometimes comes along to further blur the line, as is the case with Clare Graham & MorYork: The Answer is Yes at the Craft and Folk Art Museum.
Transformative Touch: Photographs Laced with Thread
New York’s art world seems to be experiencing a newfound love affair with art made by hand — art that has, dare I say, “craft” in it.
How One Regional Craft Museum Is Expanding Its Horizons
LOUISVILLE, Kentucky — The Kentucky Museum of Art and Craft in Louisville has spent the last couple of years staking out a place in discussions occurring in contemporary art circles about the line dividing art and craft. The recent exhibition PRESS: Artist and Machine was a romantic show focused on illuminating the relationship between 19th-century printing-press technology and 20th- and 21st-century art production.
UK’s Controversial Declassification of Crafting as a Creative Industry
A proposed declassifying of crafting as a creative industry in the UK has the the country’s cavalcade of craft makers bristling. The broadly and ridiculously named Department for Culture, Media and Sport (DCMS) released a paper in late April directed at evaluating the creative industries, including the elimation of “crafts” as one of the accepted creative industries categories.
Don’t Take Yourself Too Seriously
SPOKANE, WASHINGTON — Two weekends ago, I volunteered for Speedball printmaking inks at my local art supply store, Spokane Art Supply in Spokane, Washington. The shop was hosting an annual event called demo days, a weekend of hobby enthusiasts rollicking from booth-to-booth in search of the latest breakthroughs in art materials. The demographic was mostly retired craft warriors establishing themselves as masters in watercolor and decollage. I was feeling anxious, my self-conscious mind hounded me with thoughts of superiority, for my world of art was far different than theirs. Kitsch (the bad kind) was their motivator and I was stuck in the middle of a scene that I made sport of in art school and circles of like-minded peers.