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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Cultural Artifacts

Posted inNews

Smithsonian to House Repatriated Yemeni Artifacts

Avatar photo by Taylor Michael February 23, 2023February 23, 2023

The National Museum of Asian Art will temporarily store the 77 cultural relics as looting and destruction of antiquities continues in the war-torn country.

Posted inOpinion

How the Financial Crimes Enforcement Network Might Curtail Antiquity Theft

Avatar photo by Salisha Kayum March 30, 2022March 31, 2022

The bottom line is that current laws on the trade of antiquities are insufficient, allowing the looting of culturally significant property to continue.

Posted inOpinion

The Louvre Shouldn’t Exhibit Trafficked Antiquities from Libya and Syria

Avatar photo by Farah Abdessamad July 25, 2021July 23, 2021

The museum forgets that it is already a violent graveyard of colonial-era cultural trophies removed from their homelands under dubious circumstances.

Posted inOpinion

Stumbling Towards Repatriation

Avatar photoAvatar photo by Erin L. Thompson and Emiline Smith March 11, 2021February 7, 2023

We need to make it clear to our museums that we do not want to walk around in galleries of stolen artworks.

Posted inNews

A Bill Offers California’s Indigenous Tribes Ownership of Ancestral Objects

by Cassie Packard September 4, 2020November 5, 2020

Also, a work by Paolo Uccello, sold in a Sotheby’s sale this July for $3.1 million, was revealed to be looted by Nazis.

Posted inNews

A Native American Shield Highlights a Legal Loophole About the Export of Cultural Artifacts

Avatar photo by Ellie Duke November 25, 2019

The appearance of a stolen sacred shield at a Paris auction house prompted a New Mexico Senator to propose the STOP Act, which would ban the trafficking of certain cultural items outside the United States.

Posted inArt

Understanding the Migrant Caravan in the Context of Imperial Plunder and Dispossession

Avatar photo by Ariella Azoulay November 29, 2018November 30, 2018

The publication of Felwine Sarr and Benedicte Savoy’s report recommending the restitution of stolen African objects and the approach of what is called a “migrant caravan” toward the US is not a coincidence.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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