The answer to what happens next for City University of New York (CUNY) post-pandemic will depend on expanding the ideals of low-cost, high-quality liberal studies in which culture, self-reflection, and interdisciplinary learning enrich democratic values.
This exhibition is a ten-year survey concentrating on Peter Krashes’s paintings that emerged in an almost symbiotic relationship with his political involvement as a community organizer.
At the huge protest by the Local 814 art handlers in front of Sotheby’s this Wednesday, the divide between the 1% and the 99% in the art world could not have been clearer. While protesters chanted, whistled and booed from the heavily barricaded picket lines, wealthy auction attendees were rushed into the building by security. Wednesday marked the second of two major contemporary art sales at the auction house that included million dollar masterpieces by Mark Rothko, Clyfford Still, de Kooning and Gerhard Richter to name a few. This high profile sale was the most opportune time for the art handlers to make their voices heard and let Sotheby’s know that will not accept no for an answer on a better contract agreement.
Before heading to Sotheby’s I met with members of Occupy Museums at Zuccotti Park who have taken on the struggle of the locked-out art handlers and have joined them in protests against Sotheby’s. After searching through the maze of tents that have recently sprung up in the park, I finally found Blithe Riley holding a mini General Assembly to get participants ready for the evening’s action: Occupy Sotheby’s. Riley, who is a member of Occupy Museums and the OWS Labor Outreach Committee, told the small crowd, “Occupy Wall Street stands with organized labor.”