This week, it’s a mixed bag of artist interviews, design and social media infographics.
Dakis Joannou
Are Plutocrats Collecting Art or Collecting Artists?
Felix Salmon just posted an incandescent piece on the State of the Art World seen through the lens of Davos. At a meeting of plutocrats and artists, Salmon sees collectors buying art not for its aesthetic quality but for its aura: the respect and awe that comes with owning something really expensive.
A Urinal Is a Urinal Is a Urinal
How many urinals by Marcel Duchamp are there? Turns out there are at least 17. Greg Allen of Greg.org points out that fact and takes the piss [sorry, couldn’t resist] out of Washington Post critic Blake Gopnik for his recent review of “Stolen Pieces” (1995-97) at Postmasters’ Reality is Overrated show by Eva and Franco Mattes. It’s amazing that Duchamp’s “original” idea continues to inspire artists and discussion.
Art Bum Takes on Joannou, Saltz & “Hooverville”
I’m a big fan of artist Lawrence Swan’s Art Bum series, which follows the life of a frustrated artist who feels alienated from the sexy Art World of fame, fortune and major retrospectives. Given Art Bum’s critique of all things Art World, I was happy to see that Swan’s most recent strip targeted a number of personalities that are currently dominating art chatter in New York: collector/New Museum trustee Dakis Joannou, New York Magazine art critic/Facebook art celebrity Jerry Saltz, and artist/critic William Powhida.
New Museum Ethics Quagmire Gets Its Own Unofficial Ad Campaign
The unfortunately titled Skin Fruit has already opened on the platinum coast of downtown Manhattan, formerly known as the Bowery. And guess what, not everyone is happy.
Last weekend while avoiding the art fairs, I spotted a fantastic poster in Chelsea that lampooned the New Museum and its new found taste for caviar. I did some sleuthing and tracked down the creative geniuses behind the campaign and found out what they had to say.
Jerry Saltz Fires Back at Yau, “How Very Dickish”
The war of words between two major New York art critics escalated yesterday when Saltz used his very public Facebook wall to shoot back at Yau for the Brooklyn Rail art editor’s accusation of Saltz being a Koons apologist.