• Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
  • Become a Member
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn
  • News
  • Art
  • Books
  • Film
  • Performance
  • Opinion
  • Comics
  • Podcast
  • Store
  • Sign In
  • Twitter
  • Instagram
  • Facebook
  • LinkedIn
  • Features
  • Previews
  • Reviews
  • Interviews
  • Opportunities
Skip to content
Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Dallas Contemporary

Posted inArt

Ariel René Jackson on the “Detective Work” of Telling Truthful Stories

by Lise Ragbir February 12, 2021February 12, 2021

“We need to keep reassessing where we get our data from to understand how the narrative is shaped. And how it shapes us,” says Jackson.

Posted inArt

Representations of Listless, Deadening, Corporate Office Life

by Seph Rodney November 21, 2019

Using cubicle partitions obtained from the Texas Department of Education in Austin, Jessica Vaughn’s setup resembles a planned office airlifted from the 1980s.

Posted inArt

An Uncanny World of Manipulated Animals and Machines

by Alina Cohen August 15, 2016September 5, 2016

DALLAS, Tex. — In 2007, Italian artist Paola Pivi brazenly preempted her audience’s response to a work by titling it, “If you like it, thank you. If you don’t like it, I am sorry. Enjoy anyway.”

Posted inArt

Glittery Sylphs, Decorated Camels, Cracked Earthen Paintings, and Botched Machismo

by Charissa Terranova November 12, 2015November 16, 2015

DALLAS — While heterogeneous in form, cultural reference, and concept, the four exhibitions at the center of the Dallas Contemporary 2015 season openers stand together seamlessly.

Posted inOpinion

A French Artist Demonstrates How Not to Handle Criticism

by Benjamin Sutton January 27, 2015January 30, 2015

On January 17 a group of performers hired by a French artist smashed nearly half of the artworks in his new exhibition, then this happened.

Popular

  • Critics Roast Prince William and Kate Middleton's Official Portrait
  • Massive Head of Hercules Pulled From Historic Shipwreck
  • Maybe Beyoncé's Album Cover Isn't Based on a White Man's Painting
  • Could This Be the First Recorded Gay Couple in History?
  • Anja Salonen’s Surrealist Paintings of Existential Unease
Sponsored
  • Stream Media Works by Korean, European, and West Asian Artists on Watch and Chill 2.0
  • Facebook
  • Twitter
  • Instagram
  • LinkedIn

Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

  • Home
  • Latest
  • Podcast
  • Store
  • About
  • Support Us
  • Advertise
  • Contact Us
  • Sign In
  • Membership
  • Newsletters
  • Submissions
  • Careers
© 2022 Hyperallergic. Proudly powered by Newspack by Automattic Privacy Policy