Calling Holley an “artist” only tells a bit part of a life whose epic origins begin in a muddy Alabama ditch.
Dallas Contemporary
Ariel René Jackson on the “Detective Work” of Telling Truthful Stories
“We need to keep reassessing where we get our data from to understand how the narrative is shaped. And how it shapes us,” says Jackson.
Representations of Listless, Deadening, Corporate Office Life
Using cubicle partitions obtained from the Texas Department of Education in Austin, Jessica Vaughn’s setup resembles a planned office airlifted from the 1980s.
An Uncanny World of Manipulated Animals and Machines
DALLAS, Tex. — In 2007, Italian artist Paola Pivi brazenly preempted her audience’s response to a work by titling it, “If you like it, thank you. If you don’t like it, I am sorry. Enjoy anyway.”
Glittery Sylphs, Decorated Camels, Cracked Earthen Paintings, and Botched Machismo
DALLAS — While heterogeneous in form, cultural reference, and concept, the four exhibitions at the center of the Dallas Contemporary 2015 season openers stand together seamlessly.
A French Artist Demonstrates How Not to Handle Criticism
On January 17 a group of performers hired by a French artist smashed nearly half of the artworks in his new exhibition, then this happened.