The cover is a deluded, self-referential tribute to Hirst’s career.
Hirst has been an erratic artist from the beginning, just as likely to fail as to succeed.
The Shed at Hudson Yards and Damien Hirst’s $100,000-per-night Empathy Suite at the Palms Casino Resort made the cut.
The artist has also laid off 50 employees as part of his desire to “focus on his art.”
Treasures from the Wreck of the Unbelievable is supposed to be Hirst’s major comeback, a rebuke to his diminished popularity and slumping market value.
Blurred Lines: Inside the Art World, showing at the Tribeca Film Festival, is a successful crash course in the forces shaping the art market that fails to go deeper.
Activists heaped animal turds at the door of the Palazzo Grassi, which will open an exhibition of new works by Hirst.
An exhibition of Turk’s works in the London museum of fellow Young British Artist Damien Hirst fails to make a case for the longevity of his art historical in-jokes.
We’ve heard his music and seen his own artworks, but the personal art collection of David Bowie has remained largely hidden from the public eye.
In a suit that shows people will sue over just about anything, a Canadian artist is accusing Damien Hirst of copyright infringement — because a series of his bracelets features similar pill-shaped charms as hers.
1pm: The press preview for Frieze New York 2016 on Randall’s Island begins! Or so they say. I am power walking out the door of my office in Williamsburg.
Damien’s Hirst’s formaldehyde-filled installations don’t just ooze money and pretension — some may also leak potentially dangerous gas.