Eversley’s parabolic sculptures draw us into a self-aware and ever-shifting encounter with space and perceptual phenomena.
Linda Stark lends serious attention to the heart symbol, which, like most symbols associated with women and femininity, is easily dismissed and oft-overlooked.
From an increasingly diversified roster of galleries to a surprising slew of rock art, the mega-fair is impressively eclectic this year.
LOS ANGELES — At first sight of the Green April exhibition at David Kordansky Gallery, it is fairly obvious that Sam Gilliam is a marvelous painter who is sensitive to color and hue, shade and saturation, and able to create vibrantly interstitial zones where an object is not quite itself and not yet something else.
LOS ANGELES — Paintings about painting are really about life, proposals for how it might be lived.