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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

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David Reed

Posted inArt

A Contemporary Master of the Brushstroke

by John Yau January 25, 2020January 25, 2020

David Reed has figured out how to bring illusionism back into an abstract painting while remaining committed to paint-as-paint.

Posted inArt

Back When Painting Was Dead

by John Yau February 11, 2018February 11, 2018

When Clement Greenberg, Frank Stella, and Donald Judd tried to define what makes a painting, they overlooked a central feature — capaciousness.

Posted inArt

David Reed Did Not Go Along with Those Who Threw the Baby Out with the Bathwater

by John Yau February 25, 2017February 24, 2017

Making a brushstroke painting in the mid-1970s — a decade after Greenberg, Stella, and Lichtenstein gleefully presided over its burial — was foolhardy and brave.

Posted inArt

The Enduring Power of Experimental Paintings from 1975

by Robert Moeller November 14, 2016November 11, 2016

Working during a period when it was proclaimed from every quarter that painting was dead, Reed and a sizable New York cohort of like-minded artists carried on below the fray.

Posted inArt

When a Splotch Isn’t Just a Splotch

by Thomas Micchelli August 6, 2016August 8, 2016

This two-gallery extravaganza takes up the tricky gambit of featuring “artists whose work involves a methodical and controlled process of creating seemingly freeform or random daubs and spots.”

Posted inArt

David Reed’s Panorama

by John Yau May 1, 2016May 3, 2016

The last time David Reed showed paintings in New York was in 2007, nearly a decade ago.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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