David Reed has figured out how to bring illusionism back into an abstract painting while remaining committed to paint-as-paint.
David Reed
Posted inArt
Back When Painting Was Dead
When Clement Greenberg, Frank Stella, and Donald Judd tried to define what makes a painting, they overlooked a central feature — capaciousness.
Posted inArt
David Reed Did Not Go Along with Those Who Threw the Baby Out with the Bathwater
Making a brushstroke painting in the mid-1970s — a decade after Greenberg, Stella, and Lichtenstein gleefully presided over its burial — was foolhardy and brave.
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The Enduring Power of Experimental Paintings from 1975
Working during a period when it was proclaimed from every quarter that painting was dead, Reed and a sizable New York cohort of like-minded artists carried on below the fray.
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When a Splotch Isn’t Just a Splotch
This two-gallery extravaganza takes up the tricky gambit of featuring “artists whose work involves a methodical and controlled process of creating seemingly freeform or random daubs and spots.”
Posted inArt
David Reed’s Panorama
The last time David Reed showed paintings in New York was in 2007, nearly a decade ago.
