This exhibition at ICA/Boston presents works by 20 contemporary artists — many of them immigrants or members of the African diaspora — that highlight current migration events.
Do Ho Suh
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How Happy I Am to Have Seen This Little Corner of America in a Museum
When it comes to the word “diversity,” what are we really referring to?
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Designing and Building for the World’s 65 Million Displaced People
The exhibition Insecurities takes an unorthodox approach to artists’, architects’, and designers’ attempts to alleviate the crises faced by millions of forcibly displaced persons.
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Stories of War and Survival Unfold in San Francisco’s Presidio
Homeland Security takes over three decommissioned military bunkers, a church, and the former headquarters of the Nike Missile Program by staging paintings, installations, and social practice projects throughout.
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Retrieving the History of Indonesia’s Massacred Chinese Community
For FX Harsono, art is activism.
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Sussing Out Subtlety at the Frieze Art Fairs in London
LONDON — Last year was my first Frieze London fair, and I was baffled that it could seem so desultory, given that it was chock-a-block with pointlessly novel artworks.
Posted inBooks
Do Ho Suh Bridges People, Cities and Cultures
A Perfect Home: The Bridge Project was produced in conjunction with Korean artist Do Ho Suh’s exhibition of the same name at Storefront for Art and Architecture here in New York City, which ran from September 14 through December 7 2010. Excellently edited by Yasmeen M. Siddiqui, the volume is more artist book than catalog, less a document of an exhibition than impressionistic of an artistic effort. Intensively designed for maximum info and impact, the slim book is an unorthodox way to look at an exhibition, but its innovations end up making perfect sense for Do Ho Suh’s project, a part conceptual and part emotional attempt to bridge New York with Seoul.