Film
A Youthful Documentary Memoir Both Enthralls and Frustrates
For both good and bad, first-time filmmaker Rebeca Huntt is “the lens, the subject, the authority” of Beba.
Film
For both good and bad, first-time filmmaker Rebeca Huntt is “the lens, the subject, the authority” of Beba.
Film
Set in remote Idaho, Bitterbrush is a satisfyingly different kind of Western.
Film
Portuguese filmmaker Filipa César, whose work is the subject of an online retrospective hosted by Metrograph, seeks to help Bissau-Guineans preserve the memory of their revolution.
Film
Overlooked for too long in the experimental scene, the recently deceased German director is getting a tribute series at Anthology Film Archives.
Film
End of the Line captures five years of failed efforts to fix the city’s disastrously bad train infrastructure.
Film
This year’s iteration includes titles about AOC, the making of movie sex scenes, and what’s happened to the “stars” of older documentaries.
Film
The Janes interviews former members of Chicago’s underground network that helped people secure abortions.
Film
Prehistoric Planet is visually ambitious, but the docuseries often fails to contextualize those visuals for the curious viewer.
Film
From 1968 to 1973, the Nihon Documentarist Union did radical documentary work in Japan. They made two films in Okinawa before, during, and after its reversion.
Film
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.
Interview
Her short film Freshwater is now playing at the Museum of Contemporary Art Detroit.
Film
MAU is too charmed by its subject to nail down what he has achieved, or why people should even care about him in the first place.