Art
A Showing of Art World Solidarity on Inauguration Day
Far from serving as an excuse for self-pity or left melancholy, the Occupy Museums event was an effective counter-inaugural: a ceremony marking a wider commitment to shared struggle.
Art
Far from serving as an excuse for self-pity or left melancholy, the Occupy Museums event was an effective counter-inaugural: a ceremony marking a wider commitment to shared struggle.
Art
For one week, the monumental flag bearing the text, "A MAN WAS LYNCHED BY POLICE YESTERDAY" flew outside Jack Shainman Gallery's West 20th location as Dread Scott's unfortunate update to the nearly identical one the NAACP once flew outside its Manhattan headquarters.
Opinion
This week, we've witnessed another onslaught of senseless killings of Black people by police in the United States.
Art
Agitprop! ought to be an outstanding exhibition of politically engaged art. A feverish amalgam of historic and contemporary artwork, the exhibition is undermined by an ambitious but poorly executed curatorial strategy.
Art
DES MOINES, Iowa — Divisions of race, class, and place haunt aspirations for equality and justice in the US.
Art
What kind of painting do you make in the face of the killing of an unarmed civilian by a police officer? What type of drawing sums up the pain of more than a century of institutional racism?
Art
The archway under the Manhattan Bridge was the site of artist Dread Scott's one-time-only performance "On the Impossibility of Freedom in a Country Founded on Slavery and Genocide."
Art
No Longer Empty's current exhibit, If You Build It, manages to avoid the ickiness of so many other art projects exploited to anoint development projects on the verge of fruition, and in an art economy that's popularized the practice of artwashing that's no small feat.
Art
“Artists do not necessarily have the solutions, but they ask the great questions” says Andreas Stadler, director of the Austrian Cultural Forum in regards to their new convention-questioning show It’s the Political Economy, Stupid, a devastatingly harsh look at our political realities in the times o
Art
The art world has a tendency to make everything about itself, and some of the art happenings at Occupy Wall Street are no different. Contentious art projects that have spawned from the movement like the No Comment exhibition and Occupy Museums have sparked important discussions, but also remain some
Interview
I encountered Dread Scott's curious flag project, “Flags Are Very Popular These Days” (2011), on Facebook and was fascinated by its simplicity. Last month, the artist placed the flags of four nations (Afghanistan, Iran, Iraq and Pakistan) on overpasses in upstate New York. These symbols of pride for
Interview
The artist discusses his desire to engage, America’s relationship to freedom of expression today, nationalism, and the lack of critical discourse around his work.