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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Membership

Emily Hall Tremaine Journalism Fellowship for Curators

Posted inArt

Ten Thousand-Year Art Tradition of the Shinnecock People

Avatar photo by Jeremy Dennis February 24, 2022February 24, 2022

Shinnecock’s continued presence as a sovereign nation has been slowly rendered invisible by neighbors in the Hamptons.

Posted inArt

Indigenous Resilience and Futurism in the Hamptons

Avatar photo by Jeremy Dennis February 23, 2022February 24, 2022

In addition to predicting the coming of colonization, environmental destruction, and capitalism, Indigenous artists have also envisioned a world where these things never happened.

Posted inArt

Returning to the Island of Chiloé

Avatar photo by Hyperallergic February 18, 2022February 24, 2022

Join Hyperallergic for an online conversation with curator Dan Cameron on February 22 at 7pm (EST).

Posted inArt

The Mystique of Chiloé Reflected in Its Art

Avatar photo by Dan Cameron February 17, 2022February 17, 2022

Instead of believing I’m helping local artists by bringing international art to Chiloé, the best contribution I can make may be to help provide a venue where local artists and artisans can show their art for the benefit of each other.

Posted inArt

The Compelling Curatorial Allure of a Chilean Island and Its Artists

Avatar photo by Dan Cameron February 16, 2022February 17, 2022

Here I am on this island many thousands of miles away, in pursuit of something that compels me to return over and over again, and to continue dreaming of a truly marvelous future art exhibition that I may never end up organizing.

Posted inArt

Witnessing & Curating the Art of Bessie Harvey

Avatar photo by Hyperallergic February 11, 2022February 24, 2022

Join Hyperallergic for an online conversation with curator Frederica Simmons on February 15 at 7pm (EST).

Posted inArt

The Gift of Humanity in Bessie Harvey’s Art, an Interview With Faye Harvey Dean

Avatar photo by Frederica Simmons February 10, 2022February 17, 2022

The collective wisdom that she acquired through the diasporic Black American experience of womanhood allowed her to recall her value and humanity, which she poured into her art.

Posted inArt

A New Standard for Uplifting Black Narratives Through Conscious Curation

Avatar photo by Frederica Simmons February 9, 2022February 17, 2022

When the memory of the past and the potential of the future we long to see converge to meet us here, which direction do we turn?

Posted inArt

Beholding Black Lives and Curating With Care

Avatar photo by Hyperallergic January 27, 2022February 24, 2022

Join Hyperallergic for an online conversation with cultural organizer and curator La Tanya S. Autry on February 1 at 7pm (EST).

Posted inArt

“Mothers March On” and Beholding, Black World Making

Avatar photo by La Tanya S. Autry January 24, 2022February 17, 2022

How do we counter stereotypes about Black mothers, while stressing the importance of memory, determination, love, and corporeality?

Posted inArt

Native American Sovereignty’s Impact on the Curation of Indigenous Art

Avatar photo by Hyperallergic January 21, 2022May 20, 2022

Join Hyperallergic for an online conversation with Kiowa Tribal Museum Director Tahnee Ahtone on January 25 at 7pm (EST).

Posted inArt

Beholding and Curating With Care

Avatar photo by La Tanya S. Autry January 19, 2022February 17, 2022

Curator La Tanya S. Autry shares a set of crucial questions she considers when curating images of anti-Black violence.

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Flowers on a River: The Art of Chinese Flower-and-Bird Painting, 1368–1911
Sponsored

Flowers on a River: The Art of Chinese Flower-and-Bird Painting, 1368–1911

Over 100 masterworks by 59 artists spanning the Ming and Qing dynasties are on view at China Institute Gallery in New York.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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