Art
The first work one encounters in Robert Heinecken: Object Matter, the Museum of Modern Art's (MoMA) retrospective of the renowned “para-photographer,” is a 1965 piece entitled “Visual Poem/About the Sexual Education of a Young Girl.”
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I awoke from a daze when I walked into Boris Mikhailov’s Case History at MoMA. All of the sudden the white walls and sleek designs I’d come to expect from Friday-night strolls were replaced by muted flesh tones and a feeling of being watched. It was almost as if I’d switched roles with the work. Not
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MoMA photography curator Roxana Marcoci knows that we are experiencing a “renaissance of performance”. The show she has curated in collaboration with Eva Respini, Staging Action: Performance in Photography since 1960 [http://www.moma.org/visit/calendar/exhibitions/1100], will explore the role of the
Art
Over at MoMA, there are two big survey shows that focus on a single theme throughout the history of photography from the heyday of the daguerreotype through to the present. The first, Pictures by Women: A History of Modern Photography, is an “installation that comprises more than 200 works by approx