Shary Boyle’s Outside the Palace of Me exhibition catalogue provides viewers with experiences that an in-person visit cannot.
From exhibition catalogue pages marketed as original prints to brazenly fake “authorized” copies of Harings and Warhols, we’re living in a golden age of art piracy.
No exhibition of any pretension is complete without lasting proof of its existence, preferably in print on coated paper.
Washington, DC — “Words could not express what an agreeable spectacle this was for me to see all at one time such a prodigious quantity of every kind of work,” wrote Jean Rou in his Mémoires inédits et opuscules.
For a 1953 Dada exhibition, Marcel Duchamp designed a one-page catalogue meant to be crumpled up and tossed in the trash.
When Christopher Williams’s retrospective, currently on view at the Museum of Modern Art (MoMA) in New York, was first proposed, the artist says he was uncomfortable with the idea of a survey.
With the release of a brand new iPad application, the Museum of Modern Art forays into the territory of digital publishing. The free application is a smooth way to buy the digital versions of MoMA’s exhibition catalogues, but the app also presents several advantages over simply buying PDF versions of the books. An elegant interface plus a visual shopping center make the MoMA app an easy place to access digital versions of some of the best catalogues around, though no real value is added to the digital versions save perhaps the ability to zoom in with your fingers. (Don’t we have monocles to do that for print, or something?) Also included in the app are free samples of the catalogues presently up for purchase.