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Taking a Seat at Robert Therrien’s Table
The Broad invites us into the late artist’s obsessively iterative practice, where oversized tables and chairs give way to more elusive, personal forms.
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The Broad invites us into the late artist’s obsessively iterative practice, where oversized tables and chairs give way to more elusive, personal forms.
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“Asking for Raphael loans is like asking for the firstborn heir of the royal family,” Carmen C. Bambach, curator of the first comprehensive show of the master in the US, told Hyperallergic.
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There is a destabilizing, dreamlike sense of awe in encountering something without knowing the answer to sanity’s most fundamental question: “Is this real?”
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“He was assembling a force field of geometric objects,” said Meyerowitz, whose book of images exploring the painter's famous still lifes is being rereleased this spring.
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The earth’s orbit around the sun continues unabated, reminding us that nothing is permanent, neither darkness nor light.
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And, more importantly, is the work on view worth the price?
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Hyperallergic’s editors sit down for an earnest conversation about the institution’s expanded building and inaugural exhibition.
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Islamic visual traditions have long made space for realities beyond direct perception, and these artists work in calligraphy, installation, and speculative image-making to carry them forward.
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A traveling photographer has decided to stay in Minneapolis to care for the hundreds of artworks, objects, and messages left in memory of the poet and mother.
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At the New York Historical, an exhibition reminds us that the sari is a living art form, an heirloom, a document, and a political statement in one.
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The first head of Accessible Programs at the National Gallery of Art tells us about her path and the future of museum accessibility.
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A new display at the NY Historical traces the impact of the largest legal organization for low-income individuals in the United States.