Features
Michael David’s Art Gazes Back at Us
Instead of depicting objects, David’s shattered glass artworks literally mirror the viewer — looking into them, we are beckoned to reflect upon ourselves.
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Features
Is Art Basel Paris Too Big to Fail?
The fair showed relative market resilience but leaned into the risk-averse paintings, with most standout work in the emerging sectors.
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Asia Now Is a Paris Art Fair, Festival, and Incubator
The view of the Seine from the windows warded off the fair numbness that so often sets in amid endless rows of booths in enclosed spaces.
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The Louvre Heist Memes Aren’t Letting Up
One museum’s empty vitrine is someone else’s treasure.
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Jewish Museum Reopens With Rare Works by Anish Kapoor
The museum’s building now includes two new floors dedicated to its vast collection of artwork, historical artifacts, and ceremonial items.
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An Exhibition of Silenced Artists Sends a Warning in New York City
Don’t Look Now: A Defense of Free Expression centers art impacted by President Trump’s crackdown on DEI, anti-Palestine sentiment, and other forms of suppression.
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The Louvre Was Robbed, But the Memes Stole the Show
Digital commentators wasted no time making Pink Panther jokes and digs at President Macron as the brazen robbery gets absorbed into the online discourse.
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The Goodest Boys of NYC’s Halloween Dog Parade
This year's event was a bit corporate, very chaotic, and incredibly cute.
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Art in Odd Places Resists by Doing “Nothing”
After losing its state funding, the 14th Street festival scrapped its plans for a 20th anniversary celebration and chose a new theme: “nothing.”
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Why the Right Can’t Stand the “No Kings” Aesthetic
The growing movement’s visual language includes protest art and costumes that subvert President Trump's patriotic iconography.
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Jane Lombard Looks Back at 30 Years of Art and Politics
The New York gallerist’s exhibition 30 X 30 reflects the works she has enjoyed the most — and their incisive and sometimes bracing sociopolitical message.
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Indigenous Artists Reclaim The Met’s American Wing
An unsanctioned exhibition uses AR to insert works by Native artists, like Cannupa Hanska Luger and Jeremy Dennis, into the museum’s 19th-century landscapes.