Features
Laura James Paints What America Wants to Forget
The artist encourages conversations about race, memory, and justice actively suppressed during the Trump era.
Features
The artist encourages conversations about race, memory, and justice actively suppressed during the Trump era.
Features
Maroun Tomb’s 1947 show of oil paintings was largely lost in the Nakba. Now, artists reimagine what could have been.
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“How people are perceiving me is not my business,” the performance artist and model told Hyperallergic. “What I can do to make the world a better place is my business.”
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For all the whispers about the art market downturn, newcomers prove the New York fair can still serve as a stage for fresh voices.
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From the tension between digital and physical experiences to the increasingly visible intersection of politics and collecting, changing trends are reshaping the ecosystem.
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This year, “paper” means giant clipboards, Moleskine notebook sketches, and even embroidered cash — works that make traditional drawing look, well, two-dimensional.
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Roman Susan will host its last projects this month ahead of the demolition of its historic building by owner Loyola University Chicago.
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On the centennial of the movement, Film Forum is hosting a months-long retrospective of screenings.
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Spot the matcha lattes, coded artspeak, and those polarizing split-toe shoes in preparation for the fall kick-off.
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A handful of independent jigsaw companies are bringing art by living artists into a playful new medium.
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Hugo Crosthwaite, whose stop-motion animation about the scientist was targeted by the Trump administration, talks to Hyperallergic about the work’s backstory.
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A new exhibition focuses on Black Southerners documented by photographers like Walker Evans, Dorothea Lange, and Ben Shahn.