Features
Arewà Basit on Her Amy Sherald Portrait and Alchemizing Trans Joy
“How people are perceiving me is not my business,” the performance artist and model told Hyperallergic. “What I can do to make the world a better place is my business.”
Features
“How people are perceiving me is not my business,” the performance artist and model told Hyperallergic. “What I can do to make the world a better place is my business.”
Features
For all the whispers about the art market downturn, newcomers prove the New York fair can still serve as a stage for fresh voices.
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From the tension between digital and physical experiences to the increasingly visible intersection of politics and collecting, changing trends are reshaping the ecosystem.
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This year, “paper” means giant clipboards, Moleskine notebook sketches, and even embroidered cash — works that make traditional drawing look, well, two-dimensional.
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Roman Susan will host its last projects this month ahead of the demolition of its historic building by owner Loyola University Chicago.
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On the centennial of the movement, Film Forum is hosting a months-long retrospective of screenings.
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Spot the matcha lattes, coded artspeak, and those polarizing split-toe shoes in preparation for the fall kick-off.
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A handful of independent jigsaw companies are bringing art by living artists into a playful new medium.
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Hugo Crosthwaite, whose stop-motion animation about the scientist was targeted by the Trump administration, talks to Hyperallergic about the work’s backstory.
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A new exhibition focuses on Black Southerners documented by photographers like Walker Evans, Dorothea Lange, and Ben Shahn.
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Alicia Vera documents and processes her mother’s disease diagnosis in a new book.
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In an interview with Hyperallergic, Satch Hoyt shared his process of "un-muting" African musical objects long relegated to storage.