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Posted inArt

On Being an Artist and a Mother

CHICAGO — What does it mean, bodily, physically, emotionally, mentally, and perhaps spiritually, to be what Simone de Beauvoir deemed “the second sex,” to be a woman and, moreover, to be a mother? These are questions that Chelsea Knight explores in her latest video work “The Breath We Took” (2013), now on view at Aspect Ratio.

Posted inArt

Filling in the Gaps: Feminism’s Continued Relevance in the Arts

This past weekend I joined the audience for the day of panel discussions at the Brooklyn Museum organized by The Feminist Art Project as part of the annual College Art Association Conference. I was only able to stay for the first three and a half panels, in a day that included five. But in those three and a half panels, a clear through-line started to emerge, at least from my perspective. That through-line involved the idea of creating collective histories, of asserting a history that complicates singular narratives, and that makes it clear that whole communities of differing experience and perspective participate in the making and supporting of the arts.

Posted inArt

The Power of Non-Experts

I’ve had countless people express strong feelings against modern and contemporary art, as if “art” were a dirty word. (As a more high-profile example, filmmaker Werner Herzog’s declaration of despising art comes to mind.) But equally as problematic is the art world’s mocking response to the naysayers: The unease of many people is met with “That’s because you just don’t get it.”

Posted inArt

Turning the Seven Year Itch into a Retrospective

LOS ANGELES — Most artist retrospectives occur decades after an artist’s career really takes off, once their name has been recognized in the annals of art world lore. But long time collaborators Chan and Mann — Audrey Chan and Elana Mann, respectively — have organized their own retrospective to recognize their “seven year itch” of collaboration and “historicize now.”

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