Film
The Afghan Films Left Unfinished Under Communist Rule
The reels for the aborted film projects had been kept in the archives of Afghan Film, which director Mariam Ghani mined for her new movie What We Left Unfinished.
Film
The reels for the aborted film projects had been kept in the archives of Afghan Film, which director Mariam Ghani mined for her new movie What We Left Unfinished.
Art
The villains of movies like Black Panther and Infinity War pose a threat to the status quo, and their motivations for doing so are understandable or even inarguable.
Interview
The 2019 adaptation of Richard Wright’s classic novel, with production design by Akin McKenzie, feels like a complete aesthetic reimagining of Wright’s 20th-century source material.
Film
A series at the Japan Society opening on April 5 further complicates the definition of the Japanese New Wave cinema, whose parameters are typically difficult to define.
Film
It’s a blow to both the art and film worlds that there will be no more work from this tireless artist.
Film
Climax is something of a feature-length DJ mix, with Noé behind the decks.
Film
Richie Mehta’s Delhi Crime uses taut cinematography to distract from its propagandistic storyline.
Film
Alison Klayman's The Brink is stuck between the idea of Bannon as the Great Manipulator and Bannon as just another hateful fascist agitator.
Film
Depraved, a soulful indie take on Frankenstein, proves the perennial relevance of Mary Shelley’s monstrous creation.
Film
What accounts for the wild success of Elena Ferrante's Neapolitan Novels? In a 70-minute film, literary luminaries from the US and Italy survey the mysterious author's cultural impact.
Film
Rarely seen and essentially inaccessible to those based in the US, 1947's Les jeux sont faits is getting a not-to-be-missed screening in Los Angeles.
Film
On Resentment, a film series opening at BAM on March 20, probes the question: "How does resentment channel our attentions and efforts, and to what ends?"