Film
How Do We Know What’s Real in the Era of the Deepfake?
The Museum of the Moving Image show Deepfake: Unstable Evidence on Screen tries to help visitors equip themselves to discern real images from fake ones.
Film
The Museum of the Moving Image show Deepfake: Unstable Evidence on Screen tries to help visitors equip themselves to discern real images from fake ones.
Film
I vividly remember the first time I saw James Bidgood’s underground film Pink Narcissus (1971): I was 15 and still in the closet.
Film
Drawing on several short stories by graphic novelist Adrian Tomine, the film pins down many of the odder elements of contemporary dating.
Interview
Hyperallergic talks to director Sierra Pettengill about her documentary Riotsville, USA, which finds the roots of modern policing techniques in the 1960s
Film
Everybody seems to be infatuated with everyone else in the film, locking eyes with an intensity that could shame a tantra guru.
Film
Initially released in 2018 but never getting a proper run in the US, Sergei Loznitsa’s Donbass now finally comes to theaters.
Film
In two shorts showing as part of García’s exhibition at Amant, she explores the unfinished revolution of diplomat Alexandra Kollontai.
Film
Through a suitably unusual remastering process, the famed surreal artist/filmmaker’s last feature film to date can be experienced in a whole new way.
Film
After Yang merges director Kogonada's fastidious attention to form with a rare empathy for the insecurity of the human condition, especially within the nuclear unit.
Film
Married volcanologists Katia and Maurice Krafft took incredible footage of eruptions. Sara Dosa’s documentary uses it to tell their unusual love story.
Film
After 2020’s virtual festival and 2021’s severely abridged edition, Art of the Real is back with a full slate of exciting experimental nonfiction.
Film
In her documentary Cow, Andrea Arnold avoids anthropomorphism, instead trying to present the world as her main character sees it.