Film
Candyman Skewers the Art World’s Exploitation of Black Pain
Writer/director Nia DaCosta and producer/co-writer Jordan Peele update the horror film franchise with a critical look at the commodification of Black trauma.
Film
Writer/director Nia DaCosta and producer/co-writer Jordan Peele update the horror film franchise with a critical look at the commodification of Black trauma.
Film
After decades of works about the Nazi dictator, “Who was Hitler?” becomes a less interesting question than “Why do we care so much?”
Film
The newest feature from Leos Carax, a tempestuous romance between Adam Driver and Marion Cotillard, is gleefully strange and metafictional.
Film
Director Pablo Larraín doesn’t trust his own filmographic brilliance, and lets the story take over in the end.
Interview
The filmmaker tells Hyperallergic how she spent over four years within Chicago’s movement for Black lives making the documentary Unapologetic.
Film
For scholars, weighing the context of the classic film’s use of blackface is a valuable thought exercise. For a Jew, it is an exorcism.
Film
Married creative duo Dash Shaw and Jane Samborski collaborated on the vivid adult animated feature.
Film
Ra'anan Alexandrowicz’s documentary studies in real time how people rationalize and interpret the media they encounter.
Film
A new HBO film introduces a level of nuance to its depiction of the president that’s been sorely lacking in most portrayals.
Film
Taiwanese slow cinema luminary Tsai Ming-liang’s new film Days draws heartbreak and humanity out of activities as mundane as cooking and acupuncture.
Film
Pablo Larraín’s intense drama expertly captures the agony and ecstasy of grief and guilt.
Film
Because he refused to play to white hegemony, Gunn’s films were often poorly understood.