Becca Willow Moss muses on how her work as a camgirl informs her work as an actor and director.
Filmmaking
A Multidisciplinary Tribute to the Archetype of the Woman Traveler
Starting January 23, Women In Public will explore themes of place and wandering with a focus on the female experience, featuring screenings, a lecture, and a workshop.
“Not Knowing Where You’re Going”: How Claire Atherton Edits Movies
The veteran film editor speaks to Hyperallergic about her love of organization and her collaborations with Chantal Akerman.
A 14-Hour Documentary on Female Filmmakers Illuminates and Frustrates
Seeking to upend the male-dominated canon but directed by a man, Women Make Film: A New Road Movie Through Cinema defies some hierarchies while reinforcing others.
The Untold Story of the Woman Who Helped Make a Landmark Holocaust Film
Director Catherine Hébert talks to Hyperallergic about her new documentary Ziva Postec and the mystique of film editing.
Chantal Akerman’s Painful Final Memoir
Almost four years after her death, My Mother Laughs, the last book by the pioneering director, has been translated into English.
An Auteur’s Enduring and Confounding Guide to Filmmaking
Robert Bresson’s Notes on the Cinematograph, first published in 1975 and about to be reissued by New York Review Books, is not a manifesto or unified theory.
Conservators Reverse-Engineer the First Noncommercial 35mm Film Strip
Using salvaged machines and a hand-cranked camera, conservators at the George Eastman Museum created the first strip of 35mm motion-picture film not produced by a commercial company.
What to Do This Weekend: Williamsburg Gallery Night, Man Bartlett, Su Friedrich, Seven on Seven
Can’t figure out how to fill up your culture diet this weekend? We’ve got your back, with Williamsburg Gallery Night going down tonight and Man Bartlett’s 140 hour-long Berlin performance streaming all weekend, plus Su Friedrich’s MICROSCOPE Gallery opening and the Seven on Seven art-tech collaborative event on Saturday.