No exhibition of any pretension is complete without lasting proof of its existence, preferably in print on coated paper.
Set the works of El Greco alongside those of Paul Cézanne, Edgar Degas, or Pablo Picasso, and you can see why they admired and copied him.
The art of Soviet Russia may not strike the viewer as free or autonomous, but the artistic developments that flourished in this period influenced many important movements of 20th century art.
Looking at František Kupka we see an intense channeling of occult vibrations and shimmering realities that asks viewers if they too have experienced their life this way.
Paul Gauguin’s decorative works, sculpture, wood carvings, and graphic artworks highlight his stimulating color harmonies and rich compositions, even as some of the subject matter sits uncomfortably with today’s standards.
An exhibition at Paris’s Grand Palais tracks art made in Mexico during the first half of the 20th century, focusing on the influence of the European avant-garde and Mexicans’ celebratory attitude toward death.
PARIS — In Carambolages, currently at the Grand Palais, we are plunged into the big, fuzzy, ahistorical world of anti-categories typical of the networked global economic order.
Record rainfall in Paris has caused intense and dangerous flooding of the Seine River to the extent that the Louvre and the Musée d’Orsay are closing temporarily to safeguard their collections.
PARIS — Scattered throughout the cavernous nave of the Grand Palais are mountains of shipping containers.
PARIS — The balls of Aerocene hang high above Solutions COP21, floating over ecocidal disaster-mongers as they sleepwalk visitors towards a total surveillance state.
PARIS — During springtime in Paris, one frequently meets beaming American newlyweds on their honeymoon.
PARIS — Winter has been kind to art lovers in Paris.