This week, hundreds of artists from all over the world will begin assembling one of the largest and most dazzling group art shows in the United States, or anywhere. Approximately 50,000 people will view the show during its week-long run, making it proportionately even more popular attendance-wise than the recent Alexander McQueen hullabaloo at the Met. So why don’t you know more about it? And why aren’t you there?
This summer the Studio Museum in Harlem is hosting five extensive exhibitions that hold true to its mission and bring both established artists and those in training under the same roof. Packed into the museum’s intimate space on 125th Street, the shows offer a tremendous range of mostly thought-provoking work, with only a few glitches along the way.
The Bronx Museum’s Artists in the Marketplace (AIM) program has helped emerging artists in the New York area navigate the business side of art since the 1980s. AIM is now celebrating its 30th anniversary with two joint exhibitions at the Bronx Museum and Wave Hill: Bronx Calling: The First AIM Biennial features 72 participants from the 2010-2011 program and the smaller Taking AIM on the program’s history. I recently journeyed up to the Grand Concourse for the Bronx Museum component of the show.
As I mentioned in the first part of this article, Amy Mackie—former curatorial associate of the New Museum in New York, now Director of Visual Arts for the Contemporary Arts Center in New Orleans—selected quite a few New Orleans artists for this year’s installment of the Southern Open at the Acadiana Center for the Arts in Lafayette, LA. While she may have stacked the deck, so to speak, she concisely provided audiences with some of the highest caliber art the exhibition has seen to date.
Artist Jules de Balincourt has achieved considerable recognition in the last six years since his inclusion in Greater New York at PS 1 in 2005. I love that he’s still involved in his community, and his selection of artists for his Itinerant Ones show at the Storefront in Bushwick seemed like a kind of intimate snapshot of a corner of the Brooklyn art scene. The end result, however, is a different story.
From L to R: Marianne Vitale, “Model for Burning Bridge (1)” (2011), reclaimed lumber, 68 x 18 x 22; Yamini Nayar, “Strange Event” (2009), c-print, 30 x 40; Leah Beeferman, “Journey into the unknown machines attempt a construction of the skies” (2010), digital animation with sound (All photos by author) Some people look at the […]
150 years after the conflict began, the Civil War provides the subject matter for a group show at the Good Children Gallery in New Orleans. But far from being a mere exercise in nostalgia,”Grant v. Lee”, curated by Sophie Lvoff, gave artists the opportunity to “gently and subtly evoke the times and culture of the Civil War while bringing up significant questions about race and nationalism that we continue to ask today.”
The Marie Walsh Sharpe Art Foundation’s “Space Program” offers seventeen emerging artists a year’s worth of studio space and a summer show in DUMBO. Here’s a look.