The Haunting of Lin-Manuel Miranda deconstructs the Broadway play’s abolitionist portrayal of the founding father with incisive, impeccably-researched satire.
Thin as one-thousandth the width of an eyelash, the malign virus appears to us in magnified images as a round glob of genetic material surrounded by a beady shell. The so-called crowns (corona in Latin) on its surface are its means of destruction.
A recent rent increase had imperiled the century-old bookshop in the New York Theatre District , which has fostered countless award-winning playwrights and composers — like Miranda himself.
Broadway in 2015 still has a major deficit of diversity.