As the magazine enters its 50th year, it is commissioning 50 New York artists to create cover designs, including Marilyn Minter, Mel Bochner, and more.
Hank Willis Thomas
A Pop-Up Show for Social Justice Organized by Hank Willis Thomas, Michelle Woo, and Others
Into Action is a nine-day long pop-up exhibition that aims to reinforce the connection between art and social justice, activism, and cultural resistance.
Tania Bruguera, Hank Willis Thomas, and Eric Gottesman on Making Art in Times of Turmoil
The final event in the Hirshhorn Museum’s Ai Weiwei series will discuss the challenges and necessity of art making amid political turmoil.
Kehinde Wiley’s Pantheon of Black Artists
In his new show at Sean Kelly Gallery, the artist has begun to create a register of contemporary black visual artists.
Detroit Institute of Arts Launches Initiative to Deepen Collection of African American Art
Last week, the Detroit Institute of Arts (DIA) acquired “Bird” (1990), a striking sculpture by David Hammons.
Dread Scott Discusses Controversial Lynching Banner that Sparked Threats
For one week, the monumental flag bearing the text, “A MAN WAS LYNCHED BY POLICE YESTERDAY” flew outside Jack Shainman Gallery’s West 20th location as Dread Scott’s unfortunate update to the nearly identical one the NAACP once flew outside its Manhattan headquarters.
The Politics of Seeing, Being, and Visibility in Photography
It doesn’t seem right to call the latest issue of Aperture — its first issue dedicated to African American lives as represented by the medium of photography — a magazine. It is a powerhouse book; it does so much heavy lifting.
Hank Willis Thomas and Eric Gottesman on Their Arts-Centric Super PAC #Podcast
In our third episode of the Hyperallergic Podcast, we talk to artists Hank Willis Thomas and Eric Gottesman about their For Freedoms Super PAC.
The Tragedies and Triumphs of American Athletes of Color
At Fort Gansevoort Gallery, there is a new art exhibition with titular claim to the annual Division 1 men’s college basketball tournament.
“All Lives Are Black Lives”: Examining Race in South Africa
Part of the exhibition curator’s goal was to challenge preconceived notions of what race is, as well as the idea that it’s definable, that it even exists.
Art in Odd Places Revisits a Decade of Fleeting Experiences
People who encountered a vending machine dispensing free compliments in the Meatpacking District or a group of women knitting and unraveling white aprons in Union Square over the weekend might have considered them part of New York City’s continually anomalous street life, or felt an odd pang of déjà vu.
Hank Willis Thomas Seeks the Truth
“The truth is I love you,” reads the sign as you enter Brooklyn’s MetroTech Commons — not a bad way to pique the interest of passersby, appealing to their vanities and insecurities.