More than 100 modest and intimately scaled artworks in Still Life and the Poetry of Place provide glimpses into interiors, both humble and opulent.
Those with a Didion-shaped hole in their hearts can also bid for portraits of the author, her books, and other personal items.
In her art, Goodman seems to both revisit trauma and heal it. The results are moving and painful.
Davis recognizes that grids, networks, and circuits are not purely a product of the art world, and there are myriad contexts in which the government and corporate America deploy them.
Yuen’s ambiguous works resist a simple or anecdotal reading while speaking to our apprehensions and paranoia.
Li had to reinvent herself as a gestural painter in her 30s, after years of painting traditional ink-wash landscapes and Soviet-style propaganda.
In his new work, Amenoff transforms his imagery while retaining his powerhouse color.
Both are prone to the response, “I don’t get it.”
Join the conversation and learn more about Bard MFA’s unique interdisciplinary low-residency program. Applications are due by January 7, 2020.
Laleh Khorramian fills two galleries with visions from a distant galaxy.
Janice Nowinski’s paintings, currently on view at John Davis Gallery in Hudson, possess a kind of brute grace.