Over 50 years of the artist’s video and media work on how images, sound, and cultural iconography inform representation is on view through December 30.
ICA Philadelphia
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Jessica Vaughn’s Cathartic Critiques of Office Culture
In Vaughn’s hands, “success” takes shape as a parade of etiquette, competition, and power.
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ICA Philadelphia Reopens for Fall 2020 With Milford Graves: A Mind-Body Deal
The first major retrospective of the free jazz icon’s multidisciplinary work is on view from September 26, 2020, until January 24, 2021.
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Karyn Olivier Subverts the Formal Seriousness of Monuments
Using materials both random and familiar, Olivier’s Everything That’s Alive Moves questions our physical, psychic, and material relationship to history.
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Karyn Olivier: Everything That’s Alive Moves, on View at ICA Philadelphia Through May 10
A solo exhibition of large-scale sculptures by Karyn Olivier explores the emotional weight of monuments at the Institute of Contemporary Art at the University of Pennsylvania.
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Banal Presents, the Final Chapter of the Three-Part Exhibition Colored People Time Is on View at ICA Philadelphia
A profound exploration into how the history of chattel slavery and colonialism in America exists in and impacts our present moment. On view through December 22, 2019.
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A Three-Part Exhibition Explores Race, History, and Time at ICA Philadelphia Throughout 2019
Curated by Meg Onli, Colored People Time: Mundane Futures will be on view through March 31, 2019.
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At the ICA Philadelphia, Visitors Seek the Insights of a Beloved Security Guard
Linda Harris represents the position that you don’t need to know everything about a work of art to comment on what it’s doing or how it makes you feel.
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First Major US Exhibition of Artist Ree Morton’s Work in Nearly Four Decades at ICA Philadelphia
Curated by Kate Kraczon, Ree Morton: The Plant That Heals May Also Poison will be on view through December 23, 2018.
