In Vaughn’s hands, “success” takes shape as a parade of etiquette, competition, and power.
The first major retrospective of the free jazz icon’s multidisciplinary work is on view from September 26, 2020, until January 24, 2021.
Using materials both random and familiar, Olivier’s Everything That’s Alive Moves questions our physical, psychic, and material relationship to history.
A solo exhibition of large-scale sculptures by Karyn Olivier explores the emotional weight of monuments at the Institute of Contemporary Art at the University of Pennsylvania.
A profound exploration into how the history of chattel slavery and colonialism in America exists in and impacts our present moment. On view through December 22, 2019.
Curated by Meg Onli, Colored People Time: Mundane Futures will be on view through March 31, 2019.
Linda Harris represents the position that you don’t need to know everything about a work of art to comment on what it’s doing or how it makes you feel.
Curated by Kate Kraczon, Ree Morton: The Plant That Heals May Also Poison will be on view through December 23, 2018.