New works by one of Bangladesh’s most prominent photojournalists, writers, and activists are on view at the Chicago art space through November 27.
Significant financial support packages come in the form of fellowships and graduate appointments, which include tuition waivers and stipends.
Yoakum had said repeatedly that the drawings were “spiritual unfoldments,” meaning that faith guided his patterns and passages.
Each of the 25 winners will receive a no-strings-attached $625,000 stipend, paid out over five years.
Romanticism to Ruin: Two Lost Works of Sullivan and Wright memorializes Chicago’s Garrick Theatre and Buffalo’s Larkin Building, which were razed to build a parking lot and a truck stop.
In an open letter, they alleged “a lack of honest investment” and “patterns of entitlement to Black women’s labor” plaguing the show.
Remaking the abstract expressionist gesture and minimalist grid, the drawings on view at KAM at the University of Illinois center the artist’s identities as Jewish, feminist, and lesbian.
Caroline Kent’s installation practically vibrates with the energy of near-connection and near-signification.
In Quarles’s paintings, boundaries dissolve as the artist grinds up the fixed binaries of Black/white or male/female.
Immersive and vast, the exhibition showcases the breadth and depth of the city’s rich comics history.
Dancing in Real Life makes a strong case for recognizing the Greek painter as a pioneer of queer art.
Gates joins ideas of labor, function, and property with aesthetic and art historical concerns.