Interview
“This Is a Revolutionary Moment”: Genesis Breyer P-Orridge on Intersectionality in Art
In an interview with Genesis Breyer P-Orridge, s/he attempts to define intersectionality and its tenuous position in the art world.
Interview
In an interview with Genesis Breyer P-Orridge, s/he attempts to define intersectionality and its tenuous position in the art world.
Interview
"I was in a coven for two years in the ‘90s. Well, everybody was in a coven in the ‘90s."
Interview
Christina Sharpe says the issue at the heart of the dispute over the Emmett Till painting is not representation so much as intimacy and our relationship to violence.
Interview
After her first feature screened at Sundance, Cauleen Smith lost patience with the film industry's conservatism and devoted herself to art; her work is currently in the Whitney Biennial and Migrating Forms at BAM.
Interview
The journalist and documentary filmmaker discusses his recent film HyperNormalisation and past projects, as well as his plans to make a documentary on the West's relationship with Russia.
Interview
Bill Masuku is fast becoming one of the most well-known comic artists in Zimbabwe.
Interview
Coates’s recent work depicts food: spaghetti and meatballs, sprinkle cookies, and s’mores. Her work is about matter and viscosity, but it is also rooted in grid-like structures, repetitive mark-making, and very sophisticated paint handling.
Interview
Martin Herbert’s latest book is a collection of essays about 10 artists who play with the system, struggle against it, or walk away altogether.
Interview
Some images just work, and you can definitely say that about Tim O'Brien's update of Andrew Wyeth's famous painting.
Interview
The Canadian artist Lorna Mills talks about image circulation, digital ownership, and how she obsessively mines the internet for her art.
Interview
In his collection of essays, Derek Conrad Murray explores questions of post-blackness by drawing on the artworks of Glenn Ligon, Kehinde Wiley, Mickalene Thomas, and Kalup Linzy.
Interview
On the occasion of publicly showing her private collection of work by women artists, Valeria Napoleone talks about why such a display is necessary.