Interview
Glenn Adamson recently stepped down from his directorship at the Museum of Arts and Design (MAD) in Manhattan's Columbus Circle, after serving that position for a little less than three years.
Interview
"I’m trying to make explicit the questions I ask myself: Can the figure bossily occupy the restraining space of the canvas?"
Interview
Art fairs are a bit like the shopping malls of the art world.
Interview
SAINT PAUL, Minn. —“What happens when five feminist artists lock themselves up in a gallery for 48 hours?” asked the mujeres behind the Twin Cities arts collective Electric Machete Studios, located in the first Latino neighborhood of Minnesota, West St. Paul.
Interview
In recent years, my interest has grown in how art can help tackle the environmental devastation of our planet. During that time, I've begun following the artist and educator Ellie Irons, both for her work and her thinking.
Interview
MEXICO CITY — Architect-turned-conceptual artist Gabriel de la Mora's work is cold and formal to the point of appearing scientific, yet it is layered with history.
Interview
Lamar’s performances evoke a haunted, transcendent act of awakened consciousness and composed virtuosity that b(l)end the conventions of goth rock and European classical music, opera and the avant-garde, and spirituals and free jazz, yielding something that is singularly his own.
Interview
Nancy Nowacek has a dream: she wants to build a pedestrian bridge between Brooklyn and Governors Island.
Interview
Walking through the green door into June Leaf’s old-school New York studio — a street-level space downtown — is a bit like entering a Willy Wonka world.
Interview
SHANGHAI — When Yan Cong started self-publishing comics in the mid-2000s, his work ignored the conventions of the manga-influenced Chinese comics industry and looked instead like characters from children’s cartoons had wandered into an unexpectedly adult world.
Interview
Aloof, gay waifs appear as persistently in Hernan Bas’s paintings as saints in a cathedral.
Interview
Barkley L. Hendricks is well known for creating life-size oil paintings of mostly black American subjects from northeastern cities, but his practice involves much more than that.